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Comedy

Leap of Faith: An Artist’s Journey

Thursday, May 23rd, 2013

There are times when the path of an artist is dark. On a path one takes when their gift is playing an instrument, writing a riveting story, performing a moving monologue, singing a flowery aria, telling a joke, painting a beautiful picture, sculpting a lifelike figure, whatever…..it is unsure.

Parents often say, “You are so bright. Why don’t you just use this as a hobby?”

Friends will tell you, “I wish I were as brave.” And then silently feel sorry for you as they go home to their bed, and yes they own a bed, and positive balance in their bank account.

Lovers will say, “Listen, the dream isn’t real. It only happens for one percent of people.” And if you are a man the lover will admonish, “I want  a partner who will make a steady living because I want to have children.” If you are a woman your lover will jab, “Look, lets get real. You aren’t exactly Angelina. Your little hobby is fine but what about my needs?”

This bending over backwards for a world that doesn’t always welcome art isn’t easy. There are times when you are passed over because of the way you look. Because you are a woman. Because you are a man. Because you are black, white, brown, a Smurf. Sometimes you look at your bank account and scream and the skies get darker. Then you wonder, “What the fuck am I doing with myself!”

It goes through your mind. You should have listened to your parents. You should have really put more time into math class. The journey didn’t involve learning how to pour beer, do power point, or hand out fliers on the sidewalk. This is when it starts to get dark and it is easy to throw in the towel. Especially when some people seem to make it with no effort whatsoever.

There is an old saying: “Easy come, easy go.”

What I am trying to say is hang in there. Gene Hackman struggled for years as an unknown in theatre before he won Academy Awards and he is perhaps the most brilliant actor of our time. Not only is he talented, but you can’t take your eyes off of him. JK Rowling was living in squalor when she wrote Harry Potter and was piling up the rejection letters. Now it is perhaps one of the most read books in the world. Madonna was considering quitting show business right before “Everybody” became a number one single. I don’t think she would have made a very good Michigan housewife. Mind you she was so broke she was eating food from trashcans. Bette Midler had doors closed in her face because of her weight and size. However she was going to give up as well before someone suggested she do shows in the gay baths. The rest is history. Louis CK struggled for years as a comedian and actor in obscurity. The son of a single mother never gave up on the thought of reaching into the television and making the world better for the woman that raised him. Not only is he successful, but he is a standup icon. Those who had the breaks come easy during the times of those listed above, we don’t remember them.

One of my darkest times was around the time I was twenty four/twenty five. The market had popped and a TV show I had filmed was shelved. I did a daring television appearance that was daring, and closed some doors. Years later people tell me Springer was an idiot. Then it was cool to be on TV but other than that, not much else happened. I was broke and at the time a roommate of mine was having a nervous breakdown over a guy. A good friend of mine, who had been drug free for years, relapsed and we had a falling out. He lost his battle and I never told him that I loved him, not what he was doing to himself. When it rains it pours and the shit was coming down quick.

I also had a series of fainting spells. They were scary because I didn’t know why I was getting them. I remember being afraid I had a brain tumor. My mom feared I was suffering from epilepsy that was an onset of an injury I had when I was younger. When I sat down and spoke to another friend about the spells it was revealed that I was harboring a lot of anger. Anger that it wasn’t my turn and that my dreams weren’t coming true. Angry at life. Angry at people. Angry at everyone. This friend suggested that I had to learn to accept people and things for who they were. But also, if I wanted to create my own work, why not do it? And while I was in that vein, why not have a better attitude? After that conversation when I began taking action, the fainting spells stopped.

Soon I started performing and produce my own one woman shows. I created an open mic to my liking where free speech was the rule and cliquishness not allowed. I got up wherever I could and pursued stage time like a junkie does a needle. I was still running with the herd though. That is when I met my friend Joe Cannava. At the time I got a job writing for a rag. My column was basically about the morons I dated. Joe, who worked as a celebrity personal shopper and was an artist told me the he had always wanted to be a writer. So I showed him my column. He called it drivel and told me I should have been writing about my job as a singing telegram person. Joe told me to write a book about it. My mom had wanted me to do it for years and I told her she was crazy. Joe wasn’t letting up though and I would lie to him and tell him I was chugging along on my book. One day I just decided to do it.

That summer, I wrote my book. I lived on the fourth floor with no AC in a cramped studio sharing it with someone else. She was having a breakdown over a man, yes the same man again, and I was writing. When I wasn’t typing away I was writing on scraps of paper during train trips to telegrams or gigs. I had been a writer all my life but had never written a book. Almost five hundred pages later and a shitload of typos, I had my first draft.

When I wasn’t doing that I found myself producing puppet webisodes where my guests included Michael Musto, Harmonica Sunbeam, Melba Moore, Diana Falzone, Jake Sasseville, Sabrina Jalees and loads of others. I found myself happy and most importantly, enjoying what I was doing.

Months later I got to do a television show with my puppet babies and lets just say the rest is history. I was asked to do the press tour which was fun. Some said I was crazy as a bag lady. Some said I was passionate. Either way, it seemed all the work had paid off and I was going to another level. The club I slaved for fired me. I panicked because no other club was picking me up. That is when I got a job with a web network and began producing content there. Oh and I recorded music and got a hit on the internet. So doors opened, just not the ones I expected.

As I rode the wave I found myself in some magazines overseas and getting lots of letters from young people. I found myself telling them to hang in there. That there dreams were worth it whatever they might be. I found myself telling them their thoughts were important. That is when I found the motive for my art changing and that showed not only in the redrafts of my book but in the final version. My motive was now to help inspire young people, to show them the journey as an artist was worthwhile and doable.

Since then the journey has changed in a good way. Has been much different than I expected, in a good way. I ended up publishing my book. Through the journey I ended up having my book featured on the Official Website of Britney Spears. In addition, it has been rated a Must Read by Mensa. My book is also in several bookstores and libraries. Recently, it became available as a paperback in Barnes and Noble. Through my travels and through the grace of something greater than myself such as the universe, I got a connection to a top notch recording studio and recorded an audiobook. That is coming out this summer.

As life stands I still work my day job, but I love my day job. It not only allows me to dress up in costumes and act crazy getting paid for it, but it makes me a better performer. The standup spots are getting better. Those that the career came easy to are now fading into thin air disappearing, and I am beginning to get the recognition I have worked years for. The difference is mine will last whereas theirs never did because it came easily. Yes, I still continue to bitch and moan about being a woman in comedy, but while I battle on I win the war. It is by making my mission about reaching others and not about pleasing myself.

Do I have waves where I panic these days? Oh yes. The panic always sets in when your phone rings. Julianne Moore even has that panic as an established actress. She spoke about it in an interview. However, these days I work through the panic in a different way. I take classes and have connected with some wonderful teachers. Through that network, I meet other people. In addition, I get onstage with my notebook. While it might not always be in front of people who can give me a job, it gets me unstuck. Chris Rock still does it. I also start on a new project, create my own work. But I also call on a network of not just friends but family members who are also artists: from my painter cousin Peter, my painter uncle Kent, my dancer cousin’s Lindy and Mara, or my musician cousin Bobby.

As of this weekend, I will be doing a book signing at Brown University Bookstore with my brother and sister, Bill Brucker, MD/PhD ’13 and Brenna Brucker, MD ’13 through PACE. PACE (Providence Alliance of Clinical Educators) is a nonprofit started by my brother to bring science education to under privlidged high school students. In their materials, they bring humor to science education through a series of educational comic books for children. While my brother and sister are not taking the artistic path, my brother was a cartoonist for years at Brown and my sister is published poet as well as visual artist. The event is a must for those who want to pursue a career as a writer, artist, or wants to use creativity through education. Either way, the three of us are using our gifts to make the world a better place in our own way.

I don’t know what will happen this weekend, or even after this weekend. Two magazines expressed interest in doing a story on my book. Another website wants to review it. My audiobook will be out soon as well. Who knows what is next. Either way, on this creative journey I must have faith. I wasn’t taken this far in order to be dropped
Love
AprilI
 Came, I Saw, I Sang: Memoirs of a Singing Telegram Delivery Girl
Paperback available on Amazon and 877-Buy-Book
E-Book available on Kindle and Nook
Audiobook available on itunes and Audible this Spring
www.youtube.com/aprilthestarr
Portion of proceeds go to Greenpeace

PS. Book signing at Brown Bookstore Saturday May 25 from 4-6. Be there or be square

Signing and Other News

Thursday, May 16th, 2013
Hey Poppy Seeds,

There is lotsa going on in my universe. Here are some important events:

1. Book signing at Brown University with Special Guests Brenna M. Brucker, MD and William J. Brucker, MD, PhD with PACE (Providence Alliance of Clinical Educators). I will be signing my book, I Came, I Saw, I Sang: Memoirs of a Singing Telegram Delivery Girl.  They will be signing their eduational book. Yes, they are my older brother and baby sister. It is the only time you will ever see a semi-celeb and two mad scientists meet. It is  Saturday, May 25, 2013 at the Brown University Bookstore from 4-6. My mother will even be there in a chicken suit. My aunt might even be dressed as a pickle. I am not kidding. Do you think I got this way on my own?

2. My audiobook will finally be done as far as editing goes in two weeks. Look for it on itunes and Audible this summer. Download it so I can be rich!

3. Gay Pride Weekend I will be part of the scavenger hunt and the winning team will recieve my book as a prize. I will also be on the trail. So boys who like boys, girls who like girls, our trans brothers and sisters and any member of the rainbow crew, look for me. However if you step out of line I will get one of the Dykes on Bikes to straighten you out. (Note: Pride is about loving who you are no matter who you love. All are welcome to attend).

4. Some big magazines and radio shows are interested in hosting me to talk about my book. We are talking within the next month. More on that later.

5. Some hot photos for my male fans coming soon. Don't worry boys, I didn't forget about you


xoxoxox
Love

April
I Came, I Saw, I Sang: Memoirs of a Singing Telegram Delivery Girl
Paperback available on Amazon and 877-Buy-Book
E-Book available on Kindle and Nook
Audiobook available on itunes and Audible this Spring
www.youtube.com/aprilthestarr
Portion of proceeds go to Greenpeace

Announcing My New Podcast

Friday, May 10th, 2013

I’m proud to announce a new podcast I’m on, “The Passive Aggressive Podcast with Bobby Haha, Mike Vecchione and Ben Rosenfeld”

Passive Aggressive Cover

Check it out on iTunes

Stream it over the internet

 

Or listen to it below:

A Picture Blog

Friday, May 10th, 2013
One of the best people I ever delivered to. Read about it on page 263 of my book
Spring time in New York means tulips and creative cat calls creepy men


Getting ready to do a hair modelling job. More pics to come. 
With Libby Segal of Hobby Hoarder. She made AOL.com
This chick got in trouble for putting a picture of her and her baby in the school year book. She is kind of chunky and would have gone dateless at my school. Standards must be lower in her area
Did the first internet campaign for this product. No one knows or cares but it is just a fun fact about April Brucker and her puppet children
Just a random plastic sword on the ground. I feel like this belongs to some man who's girlfriend is named Palmela. By the power of Gray Skull....
I look like Deborah Harry in this photo. I met her one Sunday in the studio. Actually, she still looks better than me. But the whole thing was still a McAwesome girl hood dream. 
I was just on the computer and look what popped up. A Barnes and Noble advert for my Nook Book. What do you know, on the bottom of my pop up was a comic science book my brother and sister wrote that is also a part of the collection. The three of us are doing a signing at Brown University on May 25. A semi-starlette and two mad scientists together for this one time occasion. I can dig it. xo





An April and Jessica Adventure

Wednesday, April 24th, 2013
Last night my new comedy buddy Jessica Stern and I went to the Metropolitan Room for the NY Hysterical Society Open Mic. More often than not I opt not to do open mics. I have paid my dues and deplore paying for stage time. Not to mention after some of the things I have done I shouldn't have to. But it would be a chance to hang out with a new friend, see some old friends, and maybe make a connection or two. Plus at this mic there would be people who were serious about the whole comedy thing.

The mic ended up being a lot of fun actually. Everyone was really good. The newbies were even solid. While some may have been green, the jokes were well thought out. As for the vets, well they were excellent. Actually, there really wasn't one weak link the entire night which is rare for a mic. So I recommend this mic fully. My set had been good.

At first I was making the mistake of trying to be funny, the sand trap for any comedian. It's like trying to be cool. When you try you always fail. At the moment I just said fuck it I started to sail smoothly. I think as my dear friend Eddie Brill put it, that I decided to have fun. That is one of the hardest things for me to do. Some of it is my ego. Some of it is that I have been at this a while and have a chip on my shoulder about some things in the business. Of course some is the cynicism that goes with being a New York Comedian, where having fun is great but being funny is indeed serious business. In any event, when I let go of the attitude and just let me be me I was fine. I always am. Either I am stupid or thick headed or just have the self worth of a gnat because that is the continual lesson I seem to learn onstage. I think that is every comedian who has been at it a while.

After me Bucky O'Hare went up. He had some Afrofied name from some mother who was trying to make a Black Panther-like statement in order to make sure her child would either never be employed or be collared for the rape of a white woman. At first I thought he was a decent dude because he seemed relatively supportive. He also brought his girlfriend who seemed very sweet and supportive. Actually she was much too pretty for him. So he gets up and rips on me a little for having a puppet. Fine. I can live with the fact that the puppets are probably the reason I have no man. Who needs a man when you can have puppets? Fo serious.

Well Bucky O'Hare, and I am using this because he had buck teeth that had a huge gap, proceeds to insult my comedy buddy. For those of you that don't know Jessica likes the dark meat. So Bucky tells my friend she is a little too thick for him, and the room laughs nervously. Then he say that Jessica is like pancakes splattered in the middle of the road. WTF?!?!?! Now that is rude. I am thinking, you bucked toothed ugly mutherfucker. Are you bullying another woman to impress your girlfriend? And the nerve of you with those buck teeth with the gap in the front to say something like this to Jessica. Oh maybe Madonna and Jewel have buck teeth but they have these things called TALENT and a CAREER. The room goes silent for a few minutes and he has a hard time winning them back. He deserved it. That's what he gets for being a dickhead.

Bucky O'Hare eventually leaves with his sheepish girlfriend who is probably forced to take the tab everytime they go out because his broke ass has no job. (Note if Bucky were a rapper they would be dining and dashing. Either way they will be making another child he refuses to support). They sneak out because why support the rest of the comedians when your girl can watch you insult another woman for no reason at another mic? Of course you can talk about the career you will never have too, Bucky.

Maybe this whole thing was a "joke" but it hit below the gut because I have struggled with my weight. I did every unhealthy thing imaginable to control it when I was younger. For Bucky O'Hare who was as skinny as a rail, because he was probably a crack baby, he never had this issue. I know how it is to go to school and have people say terrible things about your weight. I know how terrible it is to hear it from a guy that they wouldnt go out with me because I had too many pounds. So yes, Bucky O'Hare has officially made my shit list.

Well Jessica rose to the occasion. Just like the gentlemen his single, illiterate, idiot of a mother did not raise him to be, Bucky did not apologize. Why would a classless human being do such a thing? So Jessica confronted him in the nicest way possible and told Bucky never to make fun of her weight again. Bucky being an utter coward of a man did not know what to say. Of course Bucky's girlfriend, who probably has to ask permission to use the restroom in his presence as well as speak, was speechless. Note she did not defend her man which means he is a PIECE OF SHIT. But I was proud of Jessica for confronting him nicely and like a corporate HR person, probably something foreign to Bucky because he does not WORK.

Well Bucky did eek out an apology. Still what a jerkoff. JESUS!

Jessica and I then went to the train where we discussed Bucky and why again we are DONE WITH DOMINICAN MEN! (McDonski cause they are McMessy with their Machata). And she also told me how it unfolded with Bucky O'Hare and how she handled it like a lady.

I also relayed the story of a then semi-well known comedian who had been on Comedy Central once and ripped on me for being a ventriloquist at a show. The crowd let him know he was an idiot and he dug himself into a hole. Since doing next to nothing, he released a comedy album on itunes that no one cares about. I wrote a book that is on Amazon, Kindle and Nook. I do book talks at Ivy League Colleges. And I have been on TV much more than he has. While my audiobook was being recorded I met both the former sound engineer for Lauryn Hill who has several platinum records (well he was also his studio, brag) and Deborah Harry. I am going places. He will always be eating McDonalds.

As we were having our two girl against the world moment, a homeless man approached us and began singing some mish mash of Michael Jackson songs. To his credit he had a good voice but he was way creepy. He also told us we were pretty. While Jessica probably needed the compliment because Bucky O'Hare had been so vicious, and she needed to believe that a man thought she was beautiful, even if he had no teeth and a possible crack problem. Well the man kept singing and the both of us got freaked out so we decided to leave.

Well the homeless man proceeded to follow us while continuing to sing and we began running. When we finally got to the adjoining corner we thought we were safe. We saw three young men, probably Dominican ironically, and began talking to them cause they were muy guapo. Well it was more Jessica then me because out of the corner of her eye she saw the homeless man. He had no stopped running. Instead he had found us and was continuing to sing. The Dominican strangers Jessica had befriended were doing nothing to help us. As I said previously, I am done with Dominican men. Also, men in general are useless.

At that moment the wisdom of Razor Rob McCullough echoed in my head. He said, "Know how to defend yourself in a fight. But if you can avoid a conflict, 99.9 percent of the time that is the way to go." So I figured I would either be defending the both of us or we just had to continue running. I am not like Razor Rob in the ring so when the light changed I took Jessica's arm and we bolted. The homeless man did not follow. He could not run through traffic and keep perfect pitch.

When we got into the station we laughed about the night. Perhaps one day we will have adventures that don't involve us potentially dying. I hope that day never comes. Cause if it does life will be so boring.



April
I Came, I Saw, I Sang: Memoirs of a Singing Telegram Delivery Girl
Paperback available on Amazon and 877-Buy-Book
E-Book available on Kindle and Nook
Audiobook available on itunes and Audible this Spring
www.youtube.com/aprilthestarr
Portion of proceeds go to Greenpeace

Comedian’s of the Week: Ryan Hoffman and Nick Ruggia

Thursday, April 11th, 2013
Nick Ruggia and Ryan Hoffman are two of the funniest cats I know. Hardworking and talented, they are starting to make a name for themselves. Their short film, You're Not That Crazy, was recently accepted into the Friar's Club Film Festival and won The Audience Appreciation Award. I have had the pleasure of not only working with Nick Ruggia in the past through the now defunct Shovio, but also going to college with Ryan Hoffman and seeing these guys grow. They were kind enough to do an interview with me before they purchase a McMansion and forget my name.
Nick and Ryan at the Friar's Club Film Festival ready to make comedy magic


1. What inspired you to write and shoot You're Not That Crazy?
Nick: Ryan and I both have the mental disorders that our characters in the movie have, and we actually do make fun of each other's illnesses and insinuate that the other one doesn't have it that badly. People we love saw us doing it in our writer's sessions and told us it was very funny. And some of our friends who are way more mentally ill than either of us are told us that they had seen people trying to prove that they were the sickest person in the room at psychiatric hospitals they had been in. But on another level, my deep desires for approval and acceptance probably inspired me to shoot You're Not That Crazy.

Ryan: Nick figured out fairly quickly that the only way to knock me out of a depression cycle was to roast me out of it. I think that's how it all started. When I began firing back at Nick for similar reasons, I used a style of mockery that a character from Commedia Dell'Arte (Pucinella) made famous, which is "the becoming". When a person roasts or insults others, he or she generally fires their barbs from a second person perspective, i.e. to use the old reliable, "You're so fat, when you sit on a rainbow skittles pop out." In the becoming, I take on your disorders and make fun of myself for it right in front of you. For example a line from the film when the character Annie makes fun of my character, Linnea Sage goes full boar and breaks down crying while delivering the line, "I'm so depressed. Ten years ago, my girlfriend wouldn't sign my yearbook and I'm still not over it." When we started writing it, my girlfriend was laughing in the background, and everyone generally agreed we were onto something. It seemed like a no doubter to make.
2. When shooting You're Not That Crazy, what were some of your favorite moments in shooting?

Nick: Watching Greer Barnes work is an absolute joy. That man takes average dialogue and turns it into stellar dialogue with his performances. Every human being on the planet who makes movies should do whatever it takes to get him in their films.

Ryan: Watching Greer was definitely a treat. I was also really excited and impressed with the character development of Eugene Michael Santiago, who plays the schizophrenic in the film. He's only on screen for about twenty seconds, but there is easily five to ten minutes of him on the cutting room floor that was really special, but unfortunately didn't get a chance to make it into the film. He really puts a nice button on the whole thing. That struggle he has with Jonathan Wexler (the Orderly) at the end was really fun filming.
3. When shooting You're Not That Crazy, what were some of the challenges you came up against?

Nick: You're Not That Crazy is one of four sketches from a pilot we shot. Raising the money to make the pilot on Kickstarter was very stressful. Obviously, you raise all the money or you don't get any of the money. And we were very nervous that we would not get any money and would have to find another way to make this project happen.

Ryan: Editing. It took us three or four tries to get an editor who got what we were going for, and we were really fortunate to find Steve W. Thompson, who, in my and Nick's opinion was the best thing to ever happen to us. Also, I was pretty adamant in having Jason Sokoloff direct the pilot, and he's a working director. His schedule just mandated that we push filming back a few times, but it was totally worth it.

4. New York Comedy Vet Greer Barnes made an appearance, how did that happen?

Nick: He's friendly with Ryan, and apparently he had been watching our videos and wanted to work with us. Which is absolutely crazy. We both think he's as good as anyone working today.
L to R: Ryan Hoffman (co-writer, co-producer, Eddie), Kaelin Birkenhead (Jessica), Jon Wexler (Orderly), Nick Ruggia (co-writer, co-producer, James), and Jason Sokoloff (director) pose Saturday April 6th at the Dolby Screening room for the World Premier of You're Not That Crazy for the Friar's Club Film Festival

Ryan: I have no idea how I became friends with Greer Barnes. I think my friend Upa introduced us, but we got along instantly. We were out at the bar one night and he suddenly turns to me and says, "When am I gonna be in one of your videos?" I said, "I had no idea you would even want to be in one of our videos. You're welcome any time." And that was that.
5. How did your short get into The Friars Club Film Festival?

Nick: We applied to the festival, didn't think twice about it, and then found out we got in. Also Ryan has gotten into some pretty powerful black magic. And I paid a gypsy to curse the people that would have made the 500 best comedy shorts in America last year.

Ryan: I'm always a little nervous when Nick brings up my black magic, because dealing with the Devil is always a tricky business, and when people do it wrong they generally lose their soul and their house in the foreclosure crisis, and I don't like having that responsibility.

6. Aside from You're Not That Crazy you perform standup. Where can we see you?

Nick: I run a show with Phil Burke called Destroy All Humans on the third Friday of every month at The Creek and The Cave in Long Island City. Aside from that, friend us on Facebook. Like Temple Horses on Facebook and follow @TempleHorses on Twitter. We're frequently on awesome alt shows all over the city. 

Ryan: Book me. I'll be there.
7. Where can we find out more about Temple Horses?

Nick: Twitter: @TempleHorses, @NickRuggia, @NewYorkCreator. Facebook: Like Temple Horses. YouTube: Subscribe to Youtube.com/TempleHorses. Or you can just go to our website, www.TempleHorses.com a lot.

8. What is next on the horizon for you?

Nick: We're shopping our sketch pilot right now. There has been some interest, and we hope that this award and some of the other things that have been happening for us help cook up more of that. And we're currently in the beginning stages of trying to make our first feature film.

Nick and Ryan accept the Audience Appreciation Award and yes, they gave a speech ;)


Ryan: Trying to stay off unemployment.
9. What is your astrological sign?

Nick: I'm a Cancer. Ryan's a dickhead.

Ryan: I'm an Aquarius. Nick's a leech.
10. What do you eat for breakfast?

Ryan: Honey Nut Cheerios with yogurt. 
Nick: My medication.

Robert Klein at The Friars Club for the Documentary “The Business of Comedy”

Thursday, March 21st, 2013

I get involved in so many interesting projects. Sometimes things just seem to come out of nowhere because life is magical like that. So I find myself as an Associate Producer on a wonderful documentary film slated for PBS called “The Business of Comedy” working with two great Exec. Producers Gary Licker and Scott Sobel.

(L-R) Scott Sobel, and Gary Licker with trusty camera in Jeffrey Gurian's writing room, after his interview for "The Business of Comedy!"

They made a name for themselves with a successful documentary called “Selling Cars in America”, about the history of the American car dealership and a look at the players who set the tone in the modern day, 21st century showroom. Scott produced it and Gary Licker directed.

“The Business of Comedy” examines just what it says, the business of comedy. So they’re not only interviewing comedians, but they’re speaking to club owners, managers, agents and anybody who makes the comedy world tick. That’s where I came in. First they interviewed me in my home, in what I call my “comedy museum” packed with photos and nostalgia going back to the late 70′s and early 80′s, when I was writing for Rodney Dangerfield and many Friars Club Roasts at the behest of Friars producer Bob Saks, and my original sponsor in The Friars Club, Milton Berle.

We had so much fun on that interview and we all got along so well that we decided to progress together with me being an Associate Producer. Now as a co-producer I brought the project to Richie Tienken at The Comic Strip where we not only interviewed Richie on his vast experience as the owner and founder of The Strip, but also interviewed a bunch of comics both established and new who shared their feelings on the business of comedy.

Then we spoke to Chris Mazzilli at the Gotham Comedy Club, who offered his unique perspective and who I refer to as “the classiest man in comedy”, and Gabe Waldman owner of Stand-Up New York, who we also filmed performing on stage. Very soon we will be speaking on camera with my old friend comedy legend/icon Rick Newman who opened the legendary Catch A Rising Star at the end of 1972, which was the admitted inspiration for The Comic Strip.

Jeffrey Gurian of Comedy Matters TV with Chris Mazzilli owner of Gotham Comedy Club at a Laugh For Sight charity event in 2011!

Jeffrey Gurian of Comedy Matters TV with comedy icon Rick Newman founder of Catch A Rising Star and current co-owner of Stage 72 in NYC!

But this week was something special for all of us. We got to interview Robert Klein at The Friars Club. Both Gary and Scott made no secret of the fact that they were both incredibly excited at the opportunity to speak to Robert who is himself an icon of comedy, and one of the enduring bright stars of his generation. Not only has he established himself onstage but he’s appeared in over 40 feature films.

I think it was Gary who said that he’s interviewed many celebs but that the excitement of knowing he was going to interview Robert Klein kept him up the night before the interview! We had intended to do the interview in the beautifully appointed Milton Berle Room but as were were setting up we ran into Peter Rosegarten, Robert’s manager from The Conversation Company who facilitated us moving to the gorgeous dining room to do our interview. It’s actually Peter’s brother Rory who works directly with Robert and has done so for the past maybe 30 years ever since Robert left Rollins and Joffe.

Exec. Producer Gary Licker adjusting the microphone for Robert Klein before his interview at The Friars Club!

That story is in my new book with Chris Rock called “Make ‘Em Laugh” in a great interview that Rory gave me. Rory and I go back many years and he represented me when I was writing for Joan Rivers.

Gary and Scott started out by playing a little audio recording of Budd Friedman founder of The Improv, which he opened in 1963, saying some very complimentary things about Robert Klein who was a regular there. Robert was very gracious and humbled by Budd’s statement, and said that as years go on, the more those kind of things mean to him. That kind of set the tone for what turned out to be a fantastic interview.

Exec. Producers Scott Sobel and Gary Licker interviewing Robert Klein at The Friars Club for their project "The Business of Comedy" on which I am Associate Producer!

Robert was so generous with his sharing of stories and his energy. I loved how he easily remembered the date of his first appearance on The Tonight Show with Johnny Carson. I believe he said it was Jan. 9th, 1968. He remembered Johnny also as being “generous” with his laughter and support.

In 1970 Robert had his own summer replacement comedy/variety show called “Comedy Tonight”, which he hosted along with frequent guests Peter Boyle and Madeline Kahn. He has since done nine HBO comedy specials, and is still very active performing around the country at different venues.

Exec. Producer Scott Sobel with his notes asking questions of Robert Klein for the doc film for PBS, "The Business of Comedy"!

His original manager Jack Rollins who helped me greatly in my own career and who originally introduced me to his other clients at the time Billy Crystal and Robin Williams figured greatly in Robert’s early career. I was still a Cosmetic Dentist in those early days and Jack thought that Billy Crystal would be perfect to play me in a sit-com about a dentist who wanted to be in show biz. That’s why when I interviewed Billy for my book “Make ‘Em Laugh” in one of the photos we took he was pointing to his teeth!

Jeffrey Gurian of Comedy Matters TV with Billy Crystal in Billy's office in LA. Billy is pointing to his teeth referencing Jeffrey's background as a Cosmetic Dentist!

Robert was inspired by Jonathan Winters, and Lenny Bruce who was persecuted, blacklisted and ultimately ruined for performing material that was considered obscene in those days, but would be considered tame by today’s standards, where literally anything goes. Robert spoke of comedy as a “craft” that used to have a certain “dignity”. I saw it that way as well.

I was also very glad to hear that Robert and I share the same sensitivity as to what is commonly referred to as “bathroom humor” and I can’t really grasp the fascination that many young comics seem to have with bodily functions that to me have no place in a show where men are taking women out for an evening of entertainment.

Neither Robert nor I are prudes in any sense of the word. I wrote filthy jokes for Friars Roasts for many years, but that wasn’t the material I chose to do when I went on stage, and neither did he. We just share the same dislike for unnecessary grossness which is all too common these days.

Robert literally gave us “gold” for the documentary with his honest evaluation of the comedy scene then and now, and he kept me on my toes by throwing questions at me, when certain names in comedy history didn’t quite come to him right away, like Dane Cook and Rosie O’Donnell! He also remembered many years ago when I approached him about writing some material for him. It’s amazing what sticks out in people’s minds that you would think they would never remember!

I was so happy I was able to give him a copy of “Make ‘Em Laugh” because it’s about everyone he knows!

Jeffrey Gurian of Comedy Matters TV with Robert Klein at The Friars Club, holding Jeffrey's book " Make'Em Laugh!"

His spirit was youthful and engaging and I hope to see him again soon and maybe even work with him on something fun and meaningful.

Btw, in case you’re interested this is the very cool trailer for the documentary “The Business of Comedy!”

Back to the Salt Mines

Friday, March 8th, 2013
For a while I haven't been giving standup as much attention as I used to. Some of it was events that I just don't want to go into. Cause why? And of course I got the job with the online network and then I made music and wrote a book that I am turning into a musical. While I never stopped performing I just wasn't out every night because I was either in the studio all day putting my book in audio form, shooting for the web network, broadcasting for another web network, or recording music or proof reading and everything else. Plus I have been in the game long enough to know what will happen for me and what won't in the industry. 

I know I will make it on my own original talent, skill, and merit. I know doors open for me because I am unique. I know that I will not be invited to any of the major comedy festivals because I am not a man with a funny beard (or man in general) and/or a fat woman who could easily be cast as Mimi on Drew Carey. I know that even if you are funny they can deny you, especially as a woman. But if you are famous with a large following they cannot. Not to mention names get spots all the time and most of them are the farthest thing from funny. 

My MO for the past few years since the terrible split with the shithole I worked with was that I had no interest in performing unless the following things were in place. One, it was a venue that I liked. Two, it was a show produced by fans/friends where I would be paid well and treated fairly and therefore would perform for free. Three, it was an A list club where they would pack the house. I once told someone I wanted to fight for the spots I deserved and they all said, "We all deserve better spots." Then again, this is someone who hasn't done shit in years so there you go. Needless to say I don't settle. Perhaps that is what makes me the thorn in the side of the men in this industry who view me as an unwelcome guest either because I am terminally unique or because I am not on my back with my legs spread like a lot of girls who are fucking their way to the middle. 

But on the flipside the calender is filling up. Tonight I am emceeing and stuff. I don't usually emcee but it's an old friend and it is a chance to perform again. I took the gig when my calender was light and plus while emceeing is bitch work it is a chance to get on my feet again. And who knows? I might suck. Plus the friend/fan shows are pouring in.

I have been getting up all week to make sure I am ready for tonight. Despite the flash of ego I put on I do get nervous. I put on the flash of ego and remind everyone who I believe I am because acting big doesn;t make me feel so small. So there it is. I have gone back to the salt mines. I detest paying for stage time, especially since sometimes there are people there who want to be cruel to me because I have gotten more TV time in a week than they will in their entire careers. There are people there angry that I am making something of myself, and that I am an independent woman doing it my own way in this man's industry where I am an unwelcome, unwanted guest. Whether it's the Neanderthal's on one end or the uber idiotic alt guys who have too many feelings and not enough talent that happen to be the right gender on the other I am carving my own path. In the past I made the mistake of taking their stupidity, and the careers handed to them because they are guys, personally.

But now I don't give a fuck. 

Actually who am I kidding? I just dedicated an entire paragraph to those fucks. 

I do digress though. I have been hitting the mics and shows this week and have been having more fun than I have in a while. I like being onstage again and feel more at home there than I have in a while. I don't give a fuck the shithole I am too famous for fire me. I don't give a fuck I am not male  in the industry that favors them no matter how much talent they lack. I don't give a fuck I am different in an industry with no imagination that tries to box people, especially women in. I am having fun. I am funny. I am onstage. 

This week has reminded me that despite the bullshit I feel in my career sometimes, largely because I am not a man, I do love what I do. There is no other path for me. There is no other high like someone saying they have seen you on TV. I have tried escaping and this has always found me. I know I get TV time easily. I know my job is to be funny. I know I am just a bundle of nerves who tries to puff herself up because deep down she feels so teeny tiny and pathetically small. I know it is because I am desperate to be loved. I know I sound like a reckless mess who is overworked and this is why I make bad decisions. 

I know I need to do a better job of ignoring those fucks who are jealous and when I refer someone to my fan page because I have too many friends on my regular facebook page say, "The more friends you have on facebook the less friends you have in real life." 

Oh well. I am a human girl. I have a feeling that if I keep fighting the good fight the A-List bookings will catch up to my TV time and more TV time will come. My puppet children will all get new clothes and beds, mom will get a big bed, and maybe I will get a TV. 

I just have to have fun tonight. That's all. 

I am grateful for the open mic salt mines.

Love
April
I Came, I Saw, I Sang: Memoirs of a Singing Telegram Delivery Girl
Paperback available at 877-Buy-Book, Amazon.com
E-Book available at Kindle and Nook
Audiobook available in the Spring of 2103
Portion of proceeds go to RAINN

A Case For Alt. Comedy

Sunday, January 6th, 2013
When I first moved to the city and started to do comedy, I was urged by many to go what is known as the alternative route. Apparently because I was a woman and was different, it would be the perfect home for me. So I decided to check it out. As opposed to the clubs who want you to bring to death and have no interest in passing you, especially if you are a woman, the alt rooms didn't require me to bring. That's what I decided to check it out.

There were things I liked and that I didn't like.

I liked the fact that they were more welcoming to women comedians and their performers thought out of the box. Sometimes, because the vibe could be more experimental from time to time I felt more like I belonged. And also, I had several supporters in the alt world who opened their doors to me, and also recommended me for other shows and auditions.

On the flipside there were things I didn't like. They were too politically correct for me. Not to mention they were comedy snobs, always picking apart every joke. Offstage they were stoic and treated comedy as serious business and actually couldn't take a joke. Not to mention that they were all from schools like Wesleyan, Sarah Lawrence, Oberlin, Bowdoin, and Barnard and you name it. As a result they tried being different for the sake of being different making them all the same and annoying. They wanted the challenge the audience and forgot their job was to make the audience laugh. Not to mention they were uptight about being politically correct. Comedy isn't about being politically correct.

Oh and then they all bragged about living in Williamsburg or Bushwick-posh hang outs-forgetting two blocks away they could easily get robbed by the Latin Kings.

For the most part I was hit or miss in Alt Rooms. Sometimes if I went on towards the end when the hipsters were drunk they loved me. However if they were more uptight this was not going to work. Eventually I wandered away from the Alt scene. In part because their definition of ground breaking had nothing to do with groundbreaking but just being weird looking with no substance. Not to mention they were too cliquish for me. And the bookings didn't come my way. I ended up doing a bunch of club shows, hitting the shows, and in between was affiliated with a circle of comedy that was seemingly the antithesis of alternative comedy.

However this past summer I changed my mind. I was invited to do Ed Sullivan on Acid. Pat O'Shea was hosting in Park Slope. I had known Pat for years and admired him as a comedian, but had never been asked to do the show. Finally one night after chilling with Sean Lynch we were all hanging and Pat invited me. I remember getting there and being nervous because it was an Alt show. I had always been shut out of the ECNY Awards and seemed to be the thing many an Alt person detested.

I spoke to some of the comedians before the show and I felt at home. Each were serious students of the art of comedy. It was refreshing to see.

The show started and the house was packed. One by one, each and every comedian that performed  was funny. Not only were they gifted in the ha ha department, but also they were exceptional writers. Their material was smart, challenged the audience, and still got the laugh. Alternative Comedy didn't just get my respect that evening, but it made me want to do more alt rooms as a matter of fact.

I went up and I did well. Sure, I was out of the box but I couldn't help feel that I didn't match up as far as my writing went. Actually, I know I didn't. Afterwards, the comedians were very complimentary towards me. We talked at length about comedy, our favorite and least favorite and about what made things funny. At that moment I didn't want to slum for laughs anymore. I wanted to make my audience not only laugh but think.

Some of the funniest comedians are alt and that is not an accident. So many times I have seen club comedians go to the lowest common denominator for a laugh and treat their audience like they are stupid. Alt comedians treat their audience like they have a brain, what's wrong with that? Not to mention club comedians are so busy telling the latest dick joke that they rely on stage presence-something I have been guilty of in the past. However in the alternative world it is all about the writing because in the end the joke writing is all you have.

That being said, I have seen excellent club comedians too that do care about their joke writing. And also I have seen bad alt comedians who believe they are too cool to make the audience laugh.

On the same token, when an Alt comedian is excellent, they are beyond the pale.

Bottom line, there is too much division and fighting in comedy. Instead of calling each other names maybe we should all be learning from each other. The alternative comedians taught me I was doing the right thing by being me and that I need to step up my writing game. They taught me not to hide my brain.

Why should you choose to be stupid.

Seriously.

Love
April
I Came, I Saw, I Sang: Memoirs of a Singing Telegram Delivery Girl
www.buybooksontheweb.com
877-Buy-Book
Available as a paperback and ebook on Amazon
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Available on BarnesandNoble.com

10 Things Every Comedian Should Know

Saturday, January 5th, 2013

10. Comedians are cliquish. There are the club folks, the alt folks, the Jersey folks, the folks who want to be like other folks. Some of them will like you, some of them wont. Its more a reflection on them and their lack of talent than it is on you.
9. For the Women: Men have the upper hand. Get used to it. You will have to fight harder and bookers and club owners will feel it is okay to try to feel you up and pressure you for sex. While it’s up to you, don’t be surprised when it happens. And don’t complain. This is not like other jobs where you can sue for sexual harassment.
8. Everyone has a drinking or drug problem or is in recovery from a drinking or drug problem. Everyone has had a rough childhood or has a chip on their shoulder. When someone gives you an unusual response, remember that this is after all the broken toy store. Perhaps they didn’t get their usual AA meeting.
7. When they say they want someone different, out of the box, and original, they are lying to you especially if you are a woman. Club owners want someone safe. Being boring gets you passed faster. However, those people will only do the same shitty club whereas the original thinker will eventually become the superstar.
6. I was fired from one club after getting them a shitload of air time. I was basically black balled from another for cussing them out. Bottom line, don’t be afraid to burn bridges. Don’t be afraid to make enemies. The people who are supposed to help you will, but the people who aren’t in your court will never be in your court.
5. It’s okay to be a fame whore. Fame whores make it. The purists never do more than the Walmart of Comedy. Plus they sit around all day arguing over what makes a joke and what doesn’t. If an opportunity arises to get on TV, do it. As Billy Gardell said, when he defended me on the radio, “You need to take your breaks where you can-end of story.”
4. Your friends will turn on your when you start to make it. Yes, if you make it or get any success the people you once went to mics with will bad mouth you any chance they get on the internet. They feel your success is not justified. Meanwhile if it was them it will be perfectly justified. Just remember comedians are not a community. They are just a bunch of dreamers who think big and there are very few doers.
3. Making it has very little to do with being funny.Sometimes it is being at the right place at the right time. Sometimes it is being the right ethnicity during a right time. Whatever. But much of it has to be with being hard working, being persistent, showing up, and most importantly not being afraid of rejection. Oh, and write a thank you note and return a phone call.
2. Every dog has their day. Some people get passed at clubs without a problem. Some people get on TV and it is easy to get jealous. Here’s the thing. Everyone’s journey is different. Some people end up as just standups, others branch into acting, then there are those who become writers, and many even go the talent/club management/production route. Bottom line, it is a marathon not a sprint. Keep your eye on your own game and don’t focus on others. The beautiful part is, if you stay in the race you someday end up working together on projects with others who have run the race as well.
1. Don’t be afraid to do your own thing. Others all want you to follow in their footsteps, and comedians are all followers. So don’t be afraid to make your own videos. Don’t be afraid to start your own podcast. Don’t be afraid to write your book. Don’t be afraid to pitch your project. Don’t be afraid to have another creative outlet aside from the shows where everyone is fighting to perform in front of three people. It won’t distract you from the dying art of standup, but rather will make it richer when you perform in front of  a packed house. 

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