I’m proud to announce a new podcast I’m on, “The Passive Aggressive Podcast with Bobby Haha, Mike Vecchione and Ben Rosenfeld”
Or listen to it below:
Call the New York Comedy World Hotline at 212-501-3766 for the latest open mic, new talent and industry showcase news! Updated daily!
I’m proud to announce a new podcast I’m on, “The Passive Aggressive Podcast with Bobby Haha, Mike Vecchione and Ben Rosenfeld”
Or listen to it below:
I recently finished “The 48 Laws of Power” by Robert Greene. Below are the quotes I found most interesting. As always, if you like the quotes, please buy the full book here.
“When you are trying to impress people with words, the more you say, the more common you appear, and the less in control. Even if you are saying something banal, it will seem original if you make it vague, open-ended and sphinxlike.” (ix)
“When you are weaker, never fight for honor’s sake; choose surrender instead.” (xii)
“Any mistakes you commit through audacity are easily corrected with more audacity. Everyone admires the bold; no one honors the timid.” (xiii)
“You actions must seem natural and executed with ease. All the toil and practice that go into them, and also all the clever tricks, must be concealed. When you act, act effortlessly, as if you could do much more.” (xiii)
“Give people options that come out in your favor whichever one they choose.” (xiii)
“Never appeal to truth and reality unless you are prepared for the anger that comes from disenchantment.” (xiii)
“By acknowledging a petty problem you give it existence and credibility. The more attention you pay an enemy, the stronger you make him; and a small mistake is often made worse and more visible when you try to fix it. It is sometimes best to leave things alone. If there is something you want but cannot have, show contempt for it. The less interest you reveal, the more superior you seem.” (xiv)
“Appearing better than others is always dangerous, but most dangerous of all is to appear to have no faults or weaknesses. Envy creates silent enemies. It is smart to occasionally display defects, and admit to harmless vices, in order to deflect envy and appear more human and approachable. Only gods and the dead can seem perfect with impunity.” (xvi)
“Today we face a peculiarly similar paradox to that of the courtier: Everything must appear civilized, decent, democratic, and fair. But if we play by those rules too strictly, if we take them too literally, we are crushed by those around us who are not so foolish.” (xvii)
“The most important of these skills, and power’s crucial foundation, is the ability to master your emotions. An emotional response to a situation is the single greatest barrier to power, a mistake that will cost you a lot more than any temporary satisfaction you might gain by expressing your feelings. Emotions cloud reason, and if you cannot see the situation clearly, you cannot prepare for and respond to it with any degree of control.” (xix)
“Anger is the most destructive of emotional responses, for it clouds your vision the most. It also has a ripple effect that invariably makes situations less controllable and heightens your enemy’s resolve. If you are trying to destroy an enemy who has hurt you, far better to keep him off-guard by feigning friendliness than showing your anger.” (xix)
“You cannot repress anger or love, or avoid feeling them, and you should not try. But you should be careful about how you express them, and most important, they should never influence your plans and strategies in any way.” (xx)
“Instead of spending your time dreaming of your plan’s happy ending, you must work on calculating every possible permutation and pitfall that might emerge in it.” (xx)
“Patience is the supreme virtue of the gods, who have nothing but time. Everything good will happen – the grass will grow again, if you give it time and see several steps into the future. Impatience, on the other hand, only makes you look weak. It is a principal impediment to power.” (xxi)
“Power is essentially amoral and one of the most important skills to acquire is the ability to see circumstances rather than good or evil.” (xxi)
“Never waste valuable time, or mental peace of mind, on the affairs of others – that is too high a price to pay.” (xxii)
“The producer of a great work wants to feel he is more than just the provider of the financing. He wants to appear creative and powerful, and also more important than the work produced in his name.” (4)
“When it comes to power, outshining the master is perhaps the worst mistake of all.” (4)
“It is a deadly but common misperception to believe that by displaying and vaunting your gifts and talents, you are winning the master’s affection.” (5)
“Never imagine that because the master loves you, you can do anything you want.” (5)
“Never take your position for granted and never let any favors you receive go to your head.” (6)
“Since honesty rarely strengthens friendship, you may never know how a friend truly feels.” (12)
“People want to feel they deserve their good fortune. The receipt of a favor can become oppressive: It means you have been chosen because you are a friend, not necessarily because you are deserving. There is almost a touch of condescension in the act of hiring friends that secretly afflicts them. The injury will come out slowly: A little more honesty, flashes of resentment and envy here and there, and before you know it your friendship fades. The more favors and gifts you supply to revive the friendship, the less gratitude you receive.” (12)
“Keep friends for friendship, but work with the skilled and competent.” (13)
“Never let the presence of enemies upset or distress you – you are far better off with a declared opponent or two than not knowing where your real enemies lie.” (14)
“Sometimes any emotion is better than the boredom of security.” (18)
“Honesty is actually a blunt instrument, which bloodies more than it cuts.” (20)
“The less you say, the more profound and mysterious you appear.” (35)
“Make your reputation simple and base it on one sterling quality.” (42)
“To create a crowd you have to do something different and odd. Any kind of curiosity will serve the purpose, for crowds are magnetically attracted by the unusual and inexplicable. And once you have their attention, never let it go.” (47)
“At the beginning of your rise to the top, then, spend all your energy on attracting attention. Most important: The quality of the attention is irrelevant. No matter how badly his shows were reviewed, or how slanderously personal were the attacks on his hoaxes, Barnum would never complain.” (47)
“Society craves larger-than-life figures, people who stand above the general mediocrity. Never be afraid, then, of the qualities that set you apart and draw attention to you. Court controversy, even scandal. It is better to be attacked, even slandered, than ignored.” (48)
“Once in the limelight you must constantly renew it by adapting and varying your method of courting attention. If you don’t, the public will grow tired, will take you for granted, and will move on to a newer star. The game requires constant vigilance and creativity.” (48)
“Learn to get others to do the work for you while you take the credit, and you appear to be of godlike strength and power. If you think it is important to do all the work yourself, you will never get far. Find people with the skills and creativity you lack.” (59)
“Win through your actions, never through argument.” (69)
“Learn to demonstrate the correctness of your ideas indirectly.” (71)
“The problem in trying to prove a point or gain victory through argument is that in the end you can never be certain how it affects the people you’re arguing with: They may appear to agree with you politely, but inside they may resent you. Or perhaps something you said inadvertently even offended them – words have that insidious ability to be interpreted according to the other person’s mood and insecurities. Even the best argument has no solid foundation, for we have all come to distrust the slippery nature of words. And days after agreeing with someone, we often revert to our old opinion out of sheer habit.” (72)
“Never associate with those who share your defects – they will reinforce everything that holds you back. Only create associations with positive affinities. Make this a rule of life and will benefit more than from all the therapy in the world.” (81)
“Be the only one who can do what you do, and make the fate of those who hire you so entwined with yours that they cannot possibly get rid of you.” (83)
“If you are ambitious, it is much wiser to seek out weak rulers or masters with whom you can create a relationship of dependency. You become their strength, their intelligence, their spine. What power you hold! If they got rid of you the whole edifice would collapse.” (84)
“You do not have to have the talent of a Michelangelo; you do have to have a skill that sets you apart from the crowd. You should create a situation in which you can always latch on to another master or patron but your master cannot easily find another servant with your particular talent. And if, in reality, you are not actually indispensable, you must find a way to make it look as if you are. Having the appearance of specialized knowledge and skill gives you leeway in your ability to deceive those above you into thinking they cannot do without you.” (86)
“What good is power if it brings you no peace?” (87)
“The drive for complete control is often ruinous and fruitless. Interdependence remains the law, independance a rare and often fatal exception.” (88)
“Even the most powerful person is locked inside needs of his own, and that if you make no appear to his self-interest, he merely sees you as desperate or, at best, a waste of time.” (98)
“The shortest and best way to make your fortune is to let people see clearly that it is in their interests to promote yours. (Jean de La Bruyere)” (100)
“You must distinguish the differences among powerful people and figure out what makes them tick. When they ooze greed, do not appeal to their charity. When they want to look charitable and noble, do not appeal to their greed.” (100)
“In the realm of power, your goal is a degree of control over future events.” (103)
“There will be people you cannot win over, who will remain your enemies no matter what. But whatever wound you inflicted on them, deliberately or not, do not take their hatred personally. Just recognize that there is no possilbity of peace between you, especially as long as you stay in power. If you let them stick around, they will seek revenge, as certainly as night follows day. To wait for them to show their cards is just silly, by then it will be too late.” (113)
“You must learn when to leave. Create value through scarcity.” (115)
“A man said to a Dervish: Why do I not see you more often?” The Dervish replied, “Because the words ‘Why have you not been to see me?’ are sweeter to my ears than the words ‘Why have you come again?’” -Mulla Jami (119)
“One chess master said, “Fischer doesn’t just look for the best move. He looks for the move that will disturb the man he is playing.”” (125)
“Only the terminally subordinate act in a predictable manner.” (128)
“The moment you lose contact with your people, seeking security in isolation, rebellion is brewing. Never imagine yourself so elevated that you can afford to cut yourself off from even the lowest echelons.” (134)
“Artists who hole themselves up in their fortress lose a sense of proportion, their work communicating only to their small circle. Such art remains cornered and powerless.” (135)
“When you meet a swordsman, draw your sword: Do not recite poetry to one who is not a poet.” -Ch’an (138)
“You can never be sure who you are dealing with. A man who is of little importance and means today can be a person of power tomorrow. We forget a lot in our lives, but we rarely forget an insult.” (142)
“People who rush to the support of others tend to gain little respect in the process, for their help is so easily obtained, while those who stand back find themselves besieged with supplicants. Their aloofness is powerful, and everyone wants them on their side.” (149)
“Once you step into a fight that is not of your choosing, you lose all initiative. The combatants’ interests become your interests; you become their tool. Learn to control yourself, to restrain your natural tendency to take sides and join the fight. Be friendly and charming to each of the combatants, then step back as they collide. With every battle they grow weaker, while you grow stronger with every battle you avoid.” (152)
“Most people operate in a whirlpool of emotions, constantly reacting, churning up squabbles and conflicts. Your self-control and autonomy will only bother and infuriate them. They will try to draw you into the whirlpool, begging you to take sides in their endless battles, or to make peace for them.” (152)
“Given how important the idea of intelligence is to most people’s vanity, it is critical never inadvertently to insult or impugn a person’s brain power. That is an unforgivable sin.” (159)
“The easier they think it is to prey on you, the more easily you can turn the tables. This trick is laso useful if you are ambitious yet find yourself low in the hierarchy: Appearing less intelligent than you are, even a bit of a fool, is the perfect disguise. Look like a harmless pig and no one will believe you harbor dangerous ambitions. They may even promote you since you seem so likeable, and subservient.” (160)
“People trying to make a show of their authority are easily deceived by the surrender tactic. Your outward sign of submission makes them feel important; satisfied that you respect them, they become easier targets for a later counterattack, or for the kind of indirect ridicule used by Brecht. Measuring your power over time, never sacrifice long-term maneuverability for the short-lived glories of martyrdom.” (167)
“When the great lord passes, the wise peasant bows deeply and silently farts.” -Ethiopian proverb (167)
“What gets us into trouble in the realm of power is often our own overreaction to the moves of our enemies and rivals. The overreaction crates problems we would have avoided had we been more reasonable.” (167)
“The mind must not wander from goal to goal, or be distracted by success from its sense of purpose and proportion. What is concentrated, coherent, and connected to its past has power. What is dissipated, divded, and distended rots and falls to the ground. The bigger it bloats, the harder it falls.” (172)
“Concentrate on a single goal, a single task, and beat it into submission.” (175)
“In any organization it is inevitablele for a small group to hold the strings. And often it is not those with the titles.” (175)
“Practice Nonchalancee. Never seem to be working too hard. Your talent must appear to flow naturally, with an ease that makes people take you for a genius rather than a workaholic. Even when something demands a lot of sweat, make it look effortless – people prefer to not see your blood and toil, which is another form of ostentation.” (180)
“Be frugal in asking those above you for favors. Nothing irritates a master more than having ot reject someone’s request. It stirs up guilt and resentment. Ask for favors as rarely as possible, and know when to stop.” (181)
“Do not be the court cynic. Express admiration for the good work of others. If you constantly criticize your equals or subordinates some of that criticism will rub off on you, hovering over you like a gray cloud wherever you go. People will groan at each new cynical comment, and you will irritate them. By expressing modest admiration for other people’s achievements, you paradoxically call attention to your own. The ability to express wonder and amazement, and seem like you mean it, is a rare and dying talent, but one still greatly valued.” (181)
“Honesty is a fool’s game. Never be so self-absorbed as to believe that the master is interested in your criticisms of him, no matter how accurate they are.” (183)
“Never imagine that skill and talent are all that matter. In court the courtier’s art is more important than his talent; never spend so much time on your studies that you neglect your social skills. And the greatest skill of all is the ability to make the master look more talented than those around him.” (184)
“People of power, are undone not by the mistakes they make, but by the way they deal with them.” (202)
“One should not be too straightforward. Go and see the forest. The straight trees are cut down, the crooked ones are left standing.” -Kautilya (211)
“As a leader you may imagine that constant diligence, and the appearance of working harder than anyone else, signify power. Actually, though, they have the opposite effect: They imply weakness. Why are you working so hard? Perhaps you are incompetent, and have to put in extra effort just to keep up; perhaps you are one of those people who does not know how to delegate, and has to meddle in everything. The truly powerful, on the other hand, seem never to be in a hurry or overburdened. While others work their fingers to the bone, they take their leisure. They know how to find the right people to put in the effort while they save their energy and keep their hands out of the fire.” (211)
“Do everything pleasant yourself, everything unpleasant through third parties. By adopting the first course you win favor, by taking the second you deflect ill will. Important affairs often require rewards and punishments. Let only the good come from you and the evil from others.” -Baltasar Gracian (213)
“If you have power and are secure in it, you should sometimes play the penitent: With a sorrowful look, you ask for forgiveness from those weaker than you. It is the ploy of the king who makes a show of his own sacrifices for the good of the people. Similarly, upon occasion you may want to appear as the agent of punishment in order to instill fear and trembling in your subordinates.” (214)
“Remember: People are not interested in the truth about change. They do not want ot hear that it has come from hard work, or from anything as banal as exhaustion, boredom, or depression; they are dying to believe in something romantic, otherworldly. They want to hear of angels and out-of-body experiences. Indulge them.” (221)
“Voice what the public feels – the expression of shared feelings is always powerful.” (233)
“Understand: If boldness is not natural, neither is timidity. It is an acquired habit, picked up out of a desire to avoid conflict. If timidity has taken a hold of you, then, root it out. Your fears of the consequences of a bold action are way out of proportion to reality, and in fact the consequences of timidity are worse. Your value is lowered and you create a self-fulfilling cycle of doubt and disaster. Remember: The problems created by an audacious move can be disguised, even remedied, by more and greater audacity.” (234)
“Improvisation will only bring you as far as the next crisis, and is never a substitute ofr thinking several steps ahead and planning to the end.” (239)
“Unhappy endings are much more common than happy ones – do not be swayed by the happy ending in your mind.” (242)
“Avoid the temptation of revealing how hard you work – it only raises questions. Teach no one your tricks or they will be used against you.” (245)
“Your audience must never suspect the work or the thinking that has gone into them. Nature does not reveal its tricks, and what imitates nature by appearing effortless approximates nature’s power.” (247)
“As a person of power, you must research and practice endlessly before appearing in public, onstage or anywhere else. Never expose the swat and labor behind your poise. Some think such exposure will demonstrate their diligence and honesty, but it actually just makes them look weaker – as if anyone who practiced and worked at it could do what they had done, or as if they weren’t really up to the job. Keep your effort and your tricks to yourself and you seem to have the grace and ease of a god.” (250)
“The effort Uccello spent on improving the appearance of perspective was too obvious in his work – it made his paintings ugly and labored, overwhelmed by the effort of their effects. We have the same response when we watch performers who put too much effort into their act: Seeing them trying so hard breaks the illusion. It also makes us uncomfortable. Calm, graceful performers, on the other hand, set us at ease, creating the illusion that they are not acting but being natural and themselves, even when everything they are doing involves labor and practice.” (251)
“Avoid the temptation of showing how clever you are – it is far more clever to conceal the mechanisms of your cleverness.” (251)
“As long as the partial disclosure of tricks and techniques is carefully planned, rather than the result of an uncontrollable need to blab, it is the ultimate in cleverness. It gives the audience the illusion of being superior and involved, even while much of what you do remains concealed from them.” (253)
“People rarely believe that their problems arise from their own misdeeds and stupidity. Someone or something out there is to blame – the other, the world, the gods – and so salvation comes from the outside as well.” (266)
“To gain power, you must be a source of pleasure for those around you – and pleasure comes from playing to people’s fantasies. Never promise a gradual improvement through hard work; rather, promise the moon, the great and sudden transformation, the pot of gold.” (266)
“Leaders who try to dissolve that distance through a false chumminess gradually lose the ability to inspire loyalty, fear, or love. Instead they elicit contempt.” (284)
“By asking for the moon, he had instantly raised his own status, for the king assumed that unless a man who set such a high price on himself were mad, which Columbus did not appear to be, he must somehow be worth it.” (285)
“Understand: It is within your power to set your own price. How you carry yourself reflects what you think of yourself. If you ask for little, shuffle your feet and lower your head, people will assume this reflects your character. But this behavior is not you – it is only how you have chosen to present yourself to other people. You can just as easily present the Columbus front: buoyancy, confidence, and the feeling that you were born to wear a crown.” (286)
“The Strategy of the Crown is based on a simple chain of cause and effect: If we believe we are destined for great things, our belief will radiate outward, just as a crown creates an aura around a king.” (287)
“Always make a bold demand. Set your price high and do not waver. Second, in a dignified way, go after the highest person in the building. This immediately puts you on the same plane as the chief executive you are attacking. It is the David and Goliath Strategy: By choosing a great opponent, you create the appearance of greatness.” (288)
“Never make the mistake of thinking that you elevate yourself by humiliating people. Also, it is never a good idea to loom too high above the crowd – you make an easy target.” (290)
“Power rarely ends up in the hands of those who start a revolution, or even of those who further it; power sticks to those who bring it to a conclusion.” (292)
“When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.” (296)
“Success that is built up slowly and surely is the only kind that lasts.” (297)
“Robert-Houdin took explicit effect of this effect: ‘The more slowly a story is told,’ he said, ‘the shorter it seems.’ Going slower also makes what you are doing more interesting – the audience yields to your pace, becomes entranced. It is a state in which times whizzes delightfully by.” (298)
“Remember; You choose to let things bother you. You can just as easily choose not to notice the irritating offender, to consider the matter trivial and unworthy of your interest.” (302)
“Never show that something has affected you, or that you are offended – that only shows you have acknowledged a problem. Contempt is a dish that is best served cold and without affection.” (307)
“Always find a symbol to represent your cause – the more emotional associations, the better.” (315)
“To show your frustration is to show that you have lost your power to shape events; it is the helpless action of the child who resorts to a hysterical fit to get his way.” (327)
“Be lavish with your money and keep it circulating, for generosity is a sign and a magnet for power.” (333)
“Excessive economy is a sign of decline and a bad omen.” (340)
“Aretino understood two fundamental properties of money: First, that it has to circulate to bring power. What money should buy is not lifeless objects but power over people… Second, Aretino understood the key property of the gift. To give a gift is to imply that you and the recipient are equals at the very least, or that you are the recipient’s superior.” (340)
“Never let yourself be seen as following your predecessor’s path. If you do you will never surpass him.” (353)
“Most people are afraid to break so boldly with tradition, but they secretly admire those who can break up the old forms and reinvigorate the culture. This is why there is so much power to be gained from entering vacuums and voids.” (354)
“Fyodor Dostoyevsky, similarly, whenever he wrote a successful novel, would feel that the financial security he had gained made the act of creation unnecessary. He would take his entire savings to the casino and would not leave until he had gambled away his last penny. Once reduced to poverty he could write again.” (355)
“Pablo Picasso could deal with success, but only by constantly changing the style of his painting, often breaking completely with what had made him successful before. How often our early triumphs turn us into a kind of caricature of ourselves.” (355)
“Remember: Stirrers thrive by hiding in the group, disguising their actions among the reactions of others. Render their actions visible and they lose their power to upset.” (363)
“It is often better to isolate your enemies than to destroy them – you seem less brutal.” (364)
“Talking in parables is often the best way to teach a lesson, for it allows people to realize the truth on their own.” (387)
“It was a clever move when, in the year A.D. 354, the Christian church, under Pope Liberius co-opted the birthday of Mithras and declared December 25 to be the birthday of Jesus Christ.” (394)
“Change can be pleasant and even sometimes desirable in the abstract, but too much of it creates an anxiety that will stir and boil beneath the surface and then eventually erupt. Never underestimate the hidden conservatism of those around you. It is powerful and entrenched.” (394)
“Instead of struggling against the past, he turned it to his advantage, associating his radical Communists with the romantic figures of Chinese history.” (396)
“Pay lip service to tradition. Identify the elements in your revolution that can be made to seem to build on the past. Say the right things, make a show of conformity, and meanwhile let your theories do their radical work. Play with appearances and respect past protocol. This is true in every arena – science being no exception.” (398)
“The changes you make must seem less innovative than they are.” (398)
“It takes a great talent and skill to conceal one’s talent and skill.” -La Rochefoucauld (402)
“Once envy eats away at someone, everything you do only makes it grow, and day by day it festers inside him. Eventually he will attack.” (402)
“Accept the fact that there will be people who will surpass you in some way, and also the fact that you may envy them. But make that feeling a way of pushing yourself to equal or surpass them someday. Let envy turn inward and it poisons the soul; expel it outward and it can move you to greater heights.” (405)
“Money others can attain; power as well. But superior intelligence, good looks, charm – these are qualities no one can acquire. The naturally perfect have to work the most to disguise their brilliance, displaying a defect or two to deflect envy before it takes root. It is a common and naive mistake to think you are charming people with your natural talents when in fact they are coming to hate you.” (406)
“Subtly emphasize how lucky you have been, to make your happiness seem more attainable to other people, and the ned for envy less acute. But be careful not to affect a false modesty that people can easily see through. This will only make them more envious. The act has to be good; your humility, and your openness to those you have left behind, have to seem genuine. Any hint of insincerity will only make your new status more oppressive. Remember: Despite your elevated position, it will do you no good to alienate your former peers. Power requires a wide and solid support base, which envy can silently destroy.” (407)
“People cannot envy the power that they themselves have given a person who does not seem to desire it.” (407)
“Disguise your power as a kind of self-sacrifice rather than a source of happiness and you make it seem less enviable. Emphasize your troubles and you turn a potential danger (envy) into a source of moral support (pity).” (407)
“Do not try to help or do favors for those who envy you; they will think you are condescending to them.” (408)
“Once envy reveals itself for what it is, the only solution is often to flee the presence of the enviers, leaving them to stew in a hell of their own creation.” (408)
“The wheel of fortune will hurtle you down as easily as up. If you prepare for the fall, it is less likely to ruin you when it happens.” (416)
As always, if you like the quotes, please buy the full book.
I recently read “Instant Influence: How to Get Anyone to Do Anything – FAST” by Michael V Pantalon, PhD. Below are the quotes I found most interesting. As always, if you find the quotes interesting, please buy the book here.
“People usually act for their own reasons, not someone else’s reasons. If they do change a behavior because of something someone else has said, most of the time that change won’t stick. The secret of Instant Influence is that it helps people discover their own reasons for doing something, even something they thought they didn’t want to do.” (5)
“Here are the six steps that will allow you to achieve Instant Influence:
Step 1: Why might you change?
Step 2: How ready are you to change – on a scale from 1 to 10, where 1 means “not ready at all” and 10 means “totally ready”?
Step 3: Why didn’t you pick a lower number? (Or if the influencee picked 1, either ask the second questions again, this time about a smaller step toward change, or ask, what would it atke for that 1 to turn into a 2?)
Step 4: Imagine you’ve changed. What would the positive outcomes be?
Step 5: Why are those outcomes important to you?
Step 6: What’s the next step, if any?” (5)
“If a person is deeply committed to refusing change, no motivational technique will make a difference. When someone genuinely doesn’t want to change, change won’t happen.” (11)
“At almost every turn, your efforts were doomed to fail. That’s because you were using what I like to call the tell-and-sell approach: you tell someone your reasons for doing something, then try to sell her on them.” (18)
“The other person might agree with you, but that won’t spark a desire to take action. That desire – the motivation to act – lives in each one of us. But the only way to unlock it is with our own reasons.” (18)
“Using the wrong type of encouragement can actually make a person want to do something less.” (18)
“People can tell you all day long that they wish they could do something. But when they tell you why they want to do it, that’s when things start to happen.” (19)
“That’s instant influence in a nutshell. Get someone to tell you why he wants to act, and action is almost sure to follow.” (19)
“This kind of question – Why are you even thinking about this? or, Why might you consider it? is another version of Step 1 of the Instant Influence process.” (23)
“Focusing on any tiny bit of motivation works much better than asking about resistance.” (25)
“Hearing ourselves say what we want to do helps us find the motivation to do it.” (31)
“My trainees can’t quite believe that simply saying “I’d really like to do X” will actually make it more likely that the person will, in fact, do X. I assure you that dozens of well respected studies have verified this point, magical as it may sound. The reason we’re so surprised, I think, is because we’re used to hearing people say “I should do X,” and that, of course, has virtually the opposite effect. The more we think we should do something, the less likely we may be to do it, particularly when the law of psychological reactance kicks in.” (31)
“You can modify Step 1 of the Instant Influence technique to focus on actual behavior. Instead of asking, “Why might you change?” you could ask, “Why have you already taken [some action that represents a tiny step toward changing]?” (34)
“People’s actions often show that they have far more motivation than they are aware of. We can use the evidence of those actions to help them find even more motivation.” (34)
“For example, many studies have found that bonuses don’t promote more dedicated performance. Instead, they seem to motivate unethical behavior: shortcuts, cheating, and other ways to get the bonus that don’t involve doing a good job.” (51)
“If you can’t get someone to think, you won’t be able to influence him.” (74)
“Every time those baby steps (placing the manual by the computer) did the trick. Once he’d made even the least bit of progress, his natural motivation took over and carried him along.” (105)
“Choose something that you can literally see or hear yourself doing (an action) rather than something that remains in your mind only (a decision or a new way of thinking).” (107)
“Allow yourself to focus on behavior, and your decisions will take care of themselves.” (107)
“Improving the Process:
- Keep looking for smaller and smaller beginning steps until you find one that feels safe or that you can at least visualize doing.
- Don’t judge or self-censor. Just be open to the process.
- Explicitly remind yourself to ignore the hows and why nots. Focus instead on why you want something.
- Expect to get carried away. The tiniest step of sets in motion a series of thoughts, feelings, and ideas that create new momentum.
- Prepare to be surprised. You will almost certainly learn something new about your own reasons for wanting something.
- Trust the process. You may find yourself taking action almost without realizing it, so don’t feel you need to force yourself.” (116)
“Research suggests that when people are presented with illogical, odd, unrelated, or irrational material – in scientific terms, “meaning-threat” material – they tend to arrive at better solutions in less time.” (117)
“As we’ve seen, we often focus too much on the how when we really should be looking at the why.” (120)
“Occasionally, we take on the wishes of people around us – parents, partners, even friends – instead of acknowledging our true desires. We believe in those false dreams, then wonder why we can never seem to take action to make them come true. All too often, our true desires scare us, either because they seem difficult to attain or because achieving them would shake things up elsewhere in our lives.” (126)
[when dealing with customer service] “You need to detach from any sense of being in a power struggle and instead focus on getting what you want. The person you’re dealing with may never acknowledge your right to what you want – but he may find a way to give it to you. His motivation for doing so, however, will probably not come from a sudden awareness of the correctness of your position. Rather, it will spring from discovering why he wants to help you even though he doesn’t have to. If your goal is to prove to him that he does have to help you, you’re setting yourself up for failure.” (162)
“Need is often just another way of saying should, and anytime the word should is used, we risk triggering the law of psychological reactance.” (178)
“If someone is giving you reasons talk, remember the “five whys.” If you can, keep asking, “And why is that important?” until you hear a response that feels genuinely personal and heartfelt.” (180)
“As hard as it is to believe, such excuses are good news. Giving reasons for not doing something is one of the strongest signs that a person is seriously considering doing it.” (188)
“I know how easy it is to fall into the role of the person with all the answers. But I’ve also seen, time and again, that giving up that authority and genuinely investing in the person’s autonomy can have enormous dividends, as he reveals himself to be a more independent, self-confident, and creative person than we ever might have dreamed.” (201)
“Edwin Locke and Gary Latham found in a landmark study: when workers set their own goals, they set goals that were harder to achieve than the ones supervisors assigned to them – and they were more likely to achieve those goals.” (202)
“People often like the attention that comes from others being concerned about them. Without consciously realizing it, they refuse to change as long as people take an interest in helping them.” (216)
As always, if you found the quotes interesting, please buy the book here.
I recently finished “The Art of Doing: How Super Achievers Do What They Do And How They Do It So Well” by Camille Sweeney and Josh Gosfield. It’s mostly a compilation of interviews, so I’ve bolded the person being quoted for all the quotes below their name. As always, if you like the quotes, please buy the book here.
“The super achievers had ten things in common: Dedication, intelligent persistence, community, listening, telling a story, testing, managing emotions, evolving, patience, happiness.” (i-xliii)
“Know when to pivot, to rethink your plan, while still maintaining the mission.” (xxviii)
“When these emotions compromised their goals, they had the commitment and the skills to examine those emotions and figure out effective ways to cope with them.” (xxxix)
“Because they possess a willingness to challenge their deeply held assumptions and the courage to act on that information, they have been able to overcome obstacles by discarding what doesn’t work and evolving entirely new ways of thinking about their lives and goals.” (xlii)
“George Clinton told us, “If you get to the top and catch up with happy, you got a real problem because you’ll get bored. I’m not trying to catch up with being happy – because it’s the pursuit of happiness I’m after. I want to be so close behind it I can almost touch it. That’s what keeps me looking forward to moving ahead.” (xliv)
“Good writing is not about impressing people with how smart you are but about explaining your subject as simply as possible.’ (xlv)
Laura Linney
“Her goal then is to so thoroughly internalize her role that once she steps on set or stage, she can “throw all the preparation away and let the work bleed through.” (1)
“Most scripts aren’t written to be acted. They’re written to appeal to an executive who doesn’t know how to read a script but has the power to get a film made.” (2)
“Film is a director’s medium, so you need to find out if you share a point of view so you can help them make the movie they want to make.” (3)
Anna Netrebko
“No matter how big you become, you can never be self-satisfied and say, ‘Okay, I’ve made it,’ because the next day you have to go back and prove yourself again.” (10)
“When I started out, I met a lot of extremely talented singers. Everybody thought, “Oh, this one or that one will be a star.” But after a very short time, many of them disappeared. Talent, which is a gift from the gods, isn’t enough. You have to be incredibly smart about your choices.” (10)
“My dreams never went too far. Maybe it would be in my home region of Krasnodar? When I studied, I was not thinking, “I’m going to be the one.” That was not my goal. I loved the music so much that my goal was simply to sing well. That’s it. That’s what I wanted to do. I focused on learning the music, developing my voice and practicing very hard so I could get better.” (11)
“Envy can destroy your soul.” (12)
“Something else has to come through to capture the audience’s attention. It’s soul. Callas had it. You have to find it in yourself. It took me years to find it. I couldn’t even tell someone how I did it except to keep searching for it and allowing it to come out. It’s very difficult to do, but performing with soul is the only way you can move an audience, stun them, shock them, make them cry.” (12)
“Make it (seem like) magic.” (13)
Ken Jennings
“If you let go of the outcome and just enjoy the crazy experience of being on a quiz show, you’ll do much better.” (24)
“No matter how much smarter you think you are than everyone else, you have to first make yourself interesting and TV ready.” (24)
“Overconfidence can kill you. It can be worse than not being confident enough.”( 26)
Yogi Berra
“Play to your strengths and don’t go crazy over weaknesses. The best players improve what they do well.” (32)
Martina Navratilova
“To be a champion you have to play as if every point is a matter of life and death.” (40)
“A lot of players have lost sight of the fact that it’s a game. They’ve lost the joy of playing. They’re so afraid to fail, and with all that pressure, they’re miserable and that affects their play.” (41)
Alec Baldwin and Robert Carlock
“We try to tell emotionally grounded stories in as odd of a way as we can.” (45)
“TV is a medium of limitations. We tell a lot of jokes, but we don’t have a lot of time to mess around. Every joke has to accomplish something, whether it’s smoothing over a transition, telling us something new about a character we’ve known for six years, or progressing the story.” (46)
“In the world of sketch comedy, say on SNL, you can say the most horrible and offensive things and get a laugh, because when the three-minute sketch is over, that world no longer exists and the characters will never see each other again. Whereas, with 30 Rock, we can say things to each other on the edge of being offensive, but you can’t cross that line, because those characters have to continue to live with each other for years.” (47)
“Every character has to have their own voice. On a lot of TV shows there’s no distinction between characters’ voices.” (47)
“Question the script. As we develop a story line, I always ask, what new information have we learned in this scene? How is the story moving forward? How are the stories talking to each other? How is this building? How is the end better than the beginning? Is the end even in the beginning? And most important, am I feeling bored reading this right now? If those questions don’t have satisfactory answers, then, however good the jokes are or acting is, you are failing in your duty to create something funny.” (49)
“The most important question is not “Is this funny?” but “Are we failing at being funny in a larger sense?”” (49)
Simon Doonan
“Reimagine your personal style by uncovering and exaggerating all that is unique about you.” (54)
Tony Hsieh
“The best decisions are made from the bottom up. A manager’s job is to remove obstacles.” (68)
“We try to create an environment where employees feel energized, where work doesn’t feel like work. You’re just living life the way you want to live it, and it happens to make money as well.” (69)
“Ultimately a brand is a shortcut to a set of emotions.” (70)
Will Shortz
“I try to get as many people into the tent as possible by having different “acts” and appealing to everyone at least some of the time.” (76)
Mark Frauenfelder
“The recipe for an excellent blog is to be so deeply obsessed with something that you need to communicate it to others.” (83)
“If you spend too much time obsessing on the minutiae of digital marketing techniques, you’ll lose sight of the mission of a blog, which is to share information with like-minded people.” (84)
Randall Grahm
“The riskiest thing is to stay the course and pretend that things are normal. Nothing is normal; the whole world is upside down. You have to be faily extreme to have any shot at succeeding.” (90)
Constance Rice
“Outlast everyone. There are a lot of folks who are a lot smarter than me. But I am more persistent. I’m more determined and I’ve got more passion. So I outlast everybody.” (102)
Sam Yagan, Chris Coyne, Max Krohn, Christian Rudder
“Getting 99 percent of the people to kind of like you is a waste of time. Accentuate your eccentricities and find the people who will love you as you really are.” (113)
“The three questions that tested above all others in determining if you and someone else have long-term potential are: “Do you like horror movies?” “Have you ever traveled around another country alone?” and Wouldn’t it be fun to chuck it all and go live on a sailboat?” (117)
Average length of time for online daters before tying the knot: 18.5 months. Real-world daters: 42 months.
Barry Levine
“Showing that Hollywood actors and TV stars don’t have perfect lives helps people accept their own problems. As an old Enquirer editor once said, the big news organizations tell people what they think they should be interested in, whereas we try to give them stories they are interested in.” (128)
“Know where you’re headed. My hero, Ernest Hemingway, would always leave off writing at the end of the day at a point in his story where he’d know just where he’d pick up the following morning.” (130)
“Pace yourself. No matter how big a story is, you can’t let it overwhelm you, because you have to be back at your desk at eight o’clock the next morning to work on other stories. Years ago, I was afraid to leave my desk. But these days, no matter how busy I am, every day I’ll leave my office, walk around the block, get lunch or go to the gym. It’s a marathon, not a sprint.” (131)
“You have to embrace your success and think hard about the failures that come your way, but you can’t obsess on either.” (131)
Chad Schearer
“When you practice, simulate the conditions you’ll be facing in your actual hunt. Become familiar. Practice in the clothes you’ll be wearing with the weapon you’ll be using.” (142)
“Injury rates for sports per 100 participants: football (5.3), hunting (0.05)” (147)
Philippe Petit
“Ask a great artist why they do what they do and the answer will be, “Because I have no choice.”” (157)
“Art happens when you work millions of hours not to make it look hard but to make it look effortless. The beauty for an audience is to be inspired and awestruck because you made them forget that the wire was even there.” (160)
Candida Royalle
“Least popular day for viewing online porn, Thanksgiving; state with highest per capita porn subscriptions, Utah.” (174)
OK Go
“Don’t stop trying things because they don’t fit your own stereotype of yourself. If it feels like fun, it is yourself.” (179)
“Listen to your fans. You may have an idea of who you want your fan base to be – throngs in an arena, the hippest kids at school – but they may not be the ones you end up with. When the backward dance video took off, we realized our hardest-core fans were actually the weirdest, nerdiest ones sitting in their offices and bedrooms, trading videos. It might not have been what we expected, but if that’s where the connection was, why not build on it?” (179)
David Chang
“If you do what everybody expects, you’re going to have an exhausted, boring menu, so we were going to just do what we wanted. We started making dishes we thought that the public was going to love or hate.” (194)
“I don’t like to pat myself on the back, because there’s always a place around the corner that’s going to be better and faster. We have to keep our heads down and work.” (197)
Richard Restak
“One a very basic level, you are what you remember – your very identity depends on all of the events, people and places you can recall.” (201)
“If you think outside the box, playfully altering your perceptions, and try to look beyond the obvious, you will improve your imagination, thinking, and other cognitive processes by creating new linkages and new networks. Being open to and experiencing art or music can help us with this.” (204)
“Trying to control everything that happens in your brain can actually be an impediment.” (206)
“E.L. Doctorow writes, “Writing is like driving a car at night. You only see as far as your headlights go, but you can make the whole trip that way.”” (207)
Marc Routh
“Be tenacious. Shows take so long to develop, as long as eight years or more, so we always have at least a dozen projects in the pipeline.” (210)
“There’s a saying on Broadway that musicals are a business and plays are a hobby.” (211)
Michael Sitrick
“Some people worry about having the last word; my concern is getting the first and last word. Get your story out first so you can set the tone for the coverage that follows.” (216)
“Regardless of how actual events occur, journalists believe that the best way to recount these events is in the form of a story with a beginning, a middle and an end, with drama, conflict and surprising twists. This might be a highly stylized – even sensationalized – way of reporting on events, but this way of thinking is so internalized by members of the media that to get your message across to them you have to present that message in the form of a story, sometimes with clearly drawn heroes and villains.” (218)
“Newspeople tend to be skeptical, idealistic, naive and sometimes relentless, with egos larger and more fragile than the average person’s. For example, journalists love to scoop their rivals, so give a reporter exclusive access to your high-profile client and you might have just made a grateful ally for life.” (218)
“Sometimes by working with instead of against the media you acn turn an unmitigated disaster into a success story.” (218)
“Finding a lead steer, a well-regarded reporter from a reputable institution willing to question conventional wisdom, can initiate a positive media stampede or reverse the direction of a negative one.” (219)
Bill Gross
“There are four types of management skills. And you need people with each one of the four skills to complement each other. The Entrepreneur is ahead of his time, sees the future and invents things. The Producer takes the new product and executes. The Administrator is the organizer who puts systems in place, makes sure the orders are filled and the bills are paid. The Integrator is a people person who understands the other three types and helps them get along, because they often hate each other’s guts.” (240)
“As long as people are punished for failing, they’ll be more focused on keeping their jobs than taking risks.” (241)
“Be 10 times better than your competition. Customers don’t’ want to switch to a new product or service that’s 10 percent better. They’ll only switch to something that is radically better than what’s already out there.” (242)
“Markets can change faster than you can imagine. Instead of judging your success by the size of your office, your marketing budget or the number of employees, sometimes you have to immediately scale your company to last as long as it’s going to take until people are ready for it.” (243)
Guy Kawasaki
“”You cannot influence people unless they actually find you likable.” (248)
“A baker believes she can make more and bigger pies. An eater believes that life is a zero-sum game: What others eat, he cannot eat. Bakers are trusted. Eaters are not.” (248)
“The more complex people make something, the less you should trust it.” (248)
“Always be generous. The most powerful favor is the one given with no clear link between the favor and what you want back.” (250)
Helio Castroneves
“It’s not about pushing harder; it’s about knowing when to push harder.” (256)
“Don’t stop learning till you’re six feet in the ground.” (257)
“To get there, you have to work so hard and face so much frustration that you can forget why you even got into racing. But when you stop enjoying yourself. what’s the point?” (258)
“Sometimes you’re the windshield and sometimes you’re the bug.” (260)
Stephen Dubner
“The best way to write a bestseller is not to try to write a bestseller. Write the book that you want to read.” (262)
“Write what you like. I’m convinced that the worst way to write a bestseller is to try to write a bestseller.” (262)
“Every topic needs an idea. As a magazine editor, I learned a topic is nothing without an idea. If you can’t wring out the idea from a topic, then don’t do the story.” (263)
“Keep it simple. One mistake that smart people often make is trying to remind everyone else how smart they are.” (264)
“It’s always better to tell a story simply than to show off.” (264)
“Simplicity allows you to connect with your readers. They trust plain language.” (264)
“If people finish a book, they’re much more likely to tell other people about it.” (265)
“The op-ed was about parenting… It had nothing to do with anything, but TV producers read USA Today, so suddenly we got on the Today show. Matt Lauer said, “oh man, this is really cool – what else is in your book? Why don’t you come back every week?” Then ABC came to us and said, “Why don’t you come back every week on all our shows – Good Morning America, World News Tonight, etc/” So, we started to have a cumulative advantage – once something becomes big, it’s a lot easier for it to get bigger.” (266)
“I’ve always had the good luck to write what I wanted and get paid. But, if I couldn’t write what I wanted, I wouldn’t write. I’d do something else, ‘cause I’ve got to get paid.” (267)
“From sportswriter Red Smith: “There’s nothing to writing. All you do is sit down at the typewriter and open a vein.” (267)
“From Flannery O’Connor: “There’s many a bestseller that could have been prevented by a good teacher.” (268)
As always, if you liked the quotes, please buy the book here.
I recently read “Mindless Eating: Why We Eat More Than We Think” by Brian Wansink. The quotes I found most interesting are below. As always, if you like the quotes, please buy the book here.
“Almost any sign with a number promotion (2 for $2) leads us to buy 30 to 100 percent more than we normally would.” (24)
“If we consciously deny ourselves something again and again, we’re likely to end up craving it more and more.” (27)
“Dish out 20 percent less than you think you might want before you start to eat.” (34)
“If our guests had their tables continually bussed, they continually ate. Clean plate, clean table, get more, eat more.” (39)
“If a person thinks he ate less than that typical volume, he’ll think he’s hungry. If he thinks he ate more, he’ll think he’s full.” (45)
“Volume trumps calories. We eat the volume we want, not the calories we want. If you were to make a given amount of food twice as caloric, people wouldn’t complain that they couldn’t eat all of it. If you made the same amount half as caloric, people wouldn’t complain they were still hungry. In both cases, they would say they were full.” (45)
“The faster we wolf down our food, the more we eat.” (46)
“Sure, a person saves some money by buying the big M&M’s bag, but if he decides to watch a hundred videos in the next yar, it will also cost him nine pounds of extra weight.” (59)
“We all consume more from big packages, whatever the product.” (59)
“Our brains have a basic tendency to overfocus on the height of objects at the expense of their width.” (62)
“The people given a short, wide glass poured an average of 19 percent more juice or soft drink than those given the tall, thin glass.” (63)
“Setting the table with the wrong dinner plates or serving bowls – the big ones – sets the stage for overeating.” (70)
“Increasing the variety of a food increases how much everyone eats.” (71)
“The more you think of something, the more of it you’ll eat.” (80)
“The more hassle it is to eat, the less we eat.” (84)
“When people ate alone, some ate very little and others ate quite a lot… When eating in groups of four or eight, light eaters ate more, and heavy eaters ate less.” (98)
“It’s about as close to an established fact as things get in the social sciences: People who watch a lot of TV are more likely to be overweight than people who don’t. The less TV people watch, the skinnier they are. It doesn’t matter if they’re 14 or 44. It doesn’t matter if they watch network TV, cable TV, the Food Network, or the NASCAR Network. As TV viewing goes up, weight goes up.” (102)
“Anything that takes our focus off the food makes us more likely to overeat without knowing it.” (104)
“The atmosphere of a restaurant can cause you to overeat if it gets you to stay longer (thus ordering and eating more), or if it gets you to eat faster.” (106)
“If we can’t see the food and someone tells us we’re going to taste strawberry, we taste strawberry, even if it’s really chocolate.” (120)
“If you expect food to taste good, it will. At the very least, it will taste better than if you had thought it would only be so-so… If you expect a food to taste bad, it will.” (122)
“The foods with descriptive names sold 27 percent more. And even though they were priced exactly the same, the customers who ate them consistently rated them as a better value than did the people who ate the same dishes with the boring old names.” (126)
“The foods with descriptive names were rated as more appealing and tastier than the identical foods with the less attractive labels.” (126)
“The customers who ate the food with descriptive names had more favorable attitudes toward the cafeteria as a whole.” (127)
“Despite what they say, most people can’t pick their brand once it’s out of the package and into a bowl.” (130)
“Most people use a two step approach to buying wine: they choose a price level, say $10, and they then look for a bottle with a nice-looking label.” (133)
“The feelings we have when we first eat a food can follow us for a lifetime. It doesn’t matter whether we’re an adult or a child.” (156)
“We discovered that people who ate the best one first often shared one of two characteristics: they either grew up as a youngest child or came from large families. The people most likely to save the best for last, on the other hand, had grown up as an only child or as the oldest.” (158)
If you liked the quotes, please buy the book here.
I recently read “Driven From Within” by Michael Jordan. Below are the quotes I found most interesting. As always, if you like the quotes, please buy the book here.
“Players who practice hard when no one is paying attention generally play well when everyone is watching.” (8)
“What I did on the floor drove the marketing, not the other way around. The Jordan brand was driven by what I did every night playing the game.” (12)
“When my play starting providing me with rewards, then I wanted to prove I deserved them. I never felt the desire to rest on what I had accomplished.” (13)
“I never felt like I deserved to drive a Bentley when I got my first contract, or live in a mansion. Those things might be symbols of success to some people, but there are a lot of people who confuse symbols with actual success.” (13)
“Just like my high school coach used to say: It’s hard, but it’s fair.” (13)
“I had no doubts or fears because I never had expectations that were out of context with my skill level.” (25)
“No one had in mind what would be acceptable for me. After the first year, the expectations came, but by that time I had positive habits.” (33)
“I understood that the reason I was getting attention was because of the work I had put in up to that point, not because of what I had done to meet other people’s expectations for me.” (33)
“The whole marketing approach is about drawing attention to the product. Once that happens, and everyone performs the way they are supposed to perform, then the two come together like a perfect marriage.” (48)
“You have to be uncompromised in your level of commitment to whatever you are doing, or it can disappear as fast as it appeared.” (52)
“Some players noticed me because of everything I was doing off the court, and that was the wrong reason to pay attention to me. Pay attention to the way I played the game. Pay attention to my passion. Pay attention to the idea of focusing on improvement every day. Pay attention to my commitment. Commitment cannot be compromised by rewards. Excellence isn’t a one-week or one-year ideal. It’s a constant. There will be days when you don’t feel on top of your game, or meetings in which you aren’t at your best, but your commitment remains constant. No compromises.” (52)
“Authenticity is about being true to who you are, even when everyone else wnats you to be someone else.” (135)
“It’s a lot harder to become the best you can be when you’re focused on trying to be the best version of someone else. There’s nothing authentic in that, and if it’s not authentic, then it’s not going to last.” (135)
“Maybe even a shot that could have won a game. I can deal with that. If I don’t miss the shot, then I don’t miss it – we win. I can rationalize the fact there are only two outcomes: You either make it, or you miss it. I could think that way because I knew I had earned the opportunity to take that shot.
I had put in all the work, not only in that particular game, but in practice every day. If I missed, then it wasn’t meant to be. That simple. It wasn’t because the effort wasn’t there. It wasn’t because I couldn’t make the shot, because I had taken the same shot many time in every situation. As soon as the ball went up, there weren’t any nerves because I had trained myself for that situation.
I was as prepared as I could possibly have been for that moment. I couldn’t go back and practice a little harder. I knew I had done the right things to prepare myself for that situation. One way or another, I knew I was prepared to be successful. Now, if you know you haven’t prepared correctly, or you know you haven’t worked hard enough, that’s when other thoughts and emotions creep into your mind. That’s stress. That’s fear.” (167)
“It’s the same process for doing anything, anywhere in life no matter how big or small the stage. Whehter it’s running a corporation, taking a test in second grade or taking a shot ot win a game, at that moment you are the sum total of all the work you have put in, nothing more and nothing less. If you are confident you have done everything possible to prepare yourself, then there is nothing to fear. There’s no stress in losing under those circumstances. It just wasn’t meant to be.” (167)
“If I go to New Jersey for Game 56, we were probably expected to win the agme by 30 points in those days. But that never dawned on me. It was the idea somebody might be sitting there who had never seen Michael Jordan play. I thought about that person who had never experienced the excitement or entertainment I could provide. That would be the thought that drove me to play that game.” (181)
“When I did get attention, I wanted to show people that I deserved it.” (185)
“The products, companies and people who stay true to who they are usually end up being around for a long time. The ones that lose their way by jumping on one fad or another, or trying to be something other than what or who they are, don’t last long.“ (194)
“We bring our personalities, our visions and our creativity to the discussion, and we don’t give a damn about getting credit.” (202)
“Successful people listen. Guys who don’t listen, don’t survive long.” (202)
If you liked the quotes, please buy the book here.
I recently read “Makers: The New Industrial Revolution” by Chris Anderson. Below are the quotes I found most interesting. If you like the quotes, please buy the book here.
“We are all Makers. We are born Makers (just watch a child’s fascination with drawing, blocks, Legos, or crafts), and many of us retain that love in our hobbies and passions.” (13)
“The great opportunity in the new Maker Movement is the ability to be both small and global. Both artisanal and innovative. Both high-tech and low-cost. Starting small but getting big. And, most of all, creating the sort of products that the world wants but doesn’t know it yet, because those products don’t fit neatly into the amss economics of the old model.” (16)
“We are surrounded by physical goods, most of them products of a manufacturing economy that over the past century has been transformed in all ways but one: unlike the Web, it hasn’t been opened to all. Because of the expertise, equipment, and costs of producing things on a large scale, manufacturing has been mostly the provenance of big companies and trained professionals. That’s about to change.” (17)
“”Place” matters less and less in manufacturing these days – ideas trump geography.” (47)
“Now we hardly give the details of computing a thought, in part because maturing technology hides most of that plumbing from us.” (59)
“In short: our species turns out to be a lot more diverse than our twentieth-century markets reflected. The limited store selection of our youth reflected the economic demands of retail of the day, not the true range of human taste. We are all different, with different wants and needs, and the Internet now has a place for all of them in the way that physical markets did not.” (64)
“The Internet also lengthened the tails of physical product markets for consumers. But it did so by revolutionizing distribution, not production.” (64)
“Remember that the real Web revolution was not that we could just buy more stuff with greater choice, but make our own stuff that others could consume.” (65)
“The rise of Facebook, Tumblr, Pinterest, and all the others like them is nothing less than a massive attention shift from the commercial content companies of the twentieth century to the amateur content companies of the twenty-first.” (66)
“Manufacturing has now become just another “cloud service” that you can access from Web browsers, using a tiny amount of vast industrial infrastructure as and when you need it. Somebody else runs these factories; we just access them when we need them, much as we can access the huge server farms of Google or Apple to store our photos or process our e-mail.” (66)
“Nich goods aimed at discriminating audiences can command higher prices.” (67)
“Adam Davidson writers, “Once people reach some level of comfort, they are willing – even eager – to trade in potential earnings at a lucrative but uninspiring job for less (but comfortable) pay at more satisfying work.” (70)
“In all cases, people would pay more for things where their own sweat was one of the ingredients.” (71)
“We live in a “remix” culture: everything is inspired by something that came before, and creativity is shown as much in the reinterpretation of existing works as in original ones.” (74)
“What the new manufacturing model enables is a mass market for niche products. Think ten thousand units, not ten million (mass) or one (mass customization).” (77)
“The collective potential of a million garage tinkerers is about to be unleashed on the global markets as ideas go straight into production, no financing or tooling required.” (78)
“We’re competing in the international market from day one. The usual trap of focusing on the local market first with hopes of expanding internationally later leaves companies unprepared for global competition. Selling to the whole world on day one makes a company stronger.” (105)
“What entrepreneurs quickly learn is that they need to price their product at least 2.3 times its cost to allow for at least one 50 percent margin for them and another 50 percent margin for their retailers (1.5 x 1.5 = 2.25).” (106)
“Most companies actually base their model on a 60 percent margin, which would lead to a 2.6 multiplier, but I’m applying a bit of a discount to capture that initial Maker altruism and growth accelerant.” (106)
“It may sound steep to you now, but if businesses don’t get the price right at the start, they won’t be able to keep making their products, and everyone loses.” (107)
“Any product that can build a community before launch has already proven itself in a way that few patents can match.” (109)
“Once you seed your community with content and start attracting users, your job is to give them jobs. Elevate people who seem to be constructive participants to moderator status, and give especially friendly and helpful members a “noob ninja” badge. Once you promote/reward enough of them for doing a good job of constructive community building, you’ll find that members typically help one another, saving you the work.” (110)
“When you’re creating a community from scratch, consider starting it as a social network rather than as a blog or discussion group.” (111)
“Seen this way, all making in public is marketing. Community management is marketing. Tutorial posts are marketing. Facebook updates are marketing. E-mailing other Makers in related fields is marketing. OF course, it’s not just marketing: the reason that it’s so effective is that it’s also providing something of value that people appreciate and pay attention to. But at the end of the day, everything you do, from the naming of your product to whose coattail you decide to ride (like we chose Arduino), is at least partly a marketing decision. Above all, your community is your best marketing channel.” (112)
“If you’ve given people a reason to gather that serves their needs and interests, crowing about your cool new gizmo isn’t advertising, it’s content!” (112)
“If someone decides to use our files, make no significant modifications or improvements, and just manufacture them and compete with us, they’ll have to do so much more cheaply than we can get traction in the marketplace. If they can do so, at the same or better quality, then that’s great: the consumer wins and we can stop making that product and focus on those that add more value (we don’t want to be in the commodity manufacturing business).” (114)
“it’s a sign of success – you get cloned only if you’re making something people want.” (116)
“When you let anyone contribute and ideas are judged on their merits rather than on the resume of the contributor, you invariably find that some of the best contributors are those who don’t actually do it in their day job.” (127)
“What this taps is the Long Tail of talent; in many fields there are a lot more people with skills, ideas, and time to help than there are people who have professional degrees and are otherwise credentialed.” (127)
“The Web allows people to show what they can do, regardless of their education and credentials. It allows gorups to form and work together easily outside of a company context, whether this involves “jobs” or not.” (148)
“As Thomas Friedman puts it, “It used to be that only cheap foreign manual labor was easily available; now cheap foreign genius is easily available.” (148)
“Companies are full of bureaucracy, procedures, and approval processes, a structure designed to defend the integrity of the organization. Communities, on the other hand, form around shared interests and needs, and have no more process than they require. The community exists for the project, not to support the company in which the project resides.” (150)
“It doesn’t matter who the best people work for; if the project is interesting enough, the best people will find it.” (151)
“In short, electronics can be made in America, as long as they’re specialty electronics, selling in the thousands, no millions.” (161)
“Kickstarter solves three huge problems for entrepreneurs. First, it simply moves revenues forward in time, to right when they’re needed…
Second, Kickstarter turns customers into a community. By backing a project, you’re doing more than pre-buying a product. You’re also betting on a team, and in turn they update you with progress reports and respond to suggestions in comments and discussion forums during the product’s genesis. This encourages a sense of participation in the project and turns backers into word-of-mouth evangelists, which helps projects go viral.
Finally, Kickstarter provides perhaps the most important service a new company needs: market research. If your project doesn’t hit its funding target, it probably would have failed in the marketplace anyway.” (167-168)
“The act of “making in public,” which is what Kickstarter project leaders do, turns product development into marketing.” (173)
“By the time a business process is too boring to comment on, it’s probably starting to actually work.” (208)
“For products that can be made robotically, which is more and more of them, the usual global economic calculus of labor arbitrage is becoming less and less important.” (227)
“What we will see is simply more. More innovation, in more places, from more people, focused on more narrow niches.” (229)
As always, if you liked the quotes, please buy the book here.
I recently read “Guyland: The Perilous World Where Boys Become Men” by Michael Kimmel. Below are the quotes I found most interesting. If you like the quotes, please buy the book here.
“More choices may not mean greater freedom, just a larger number of possible alternatives that are dismissed as wannabes and also-rans.” (16)
“The passage between adolescence and adulthood has morphed from a transitional moment to a separate life stage. Adolescence starts earlier and earlier, and adulthood starts later and later.” (25)
“They often feel that they’ve spent their entire childhoods being little grownups – being polite, listening attentively, and prepping for college since elementary school.” (27)
“Today, with women appearing to be every bit as professionally competent, career-oriented, and ambitious as men, and equally capable of earning a living wage, there is no longer the same sense of urgency for men to move toward “getting a good job” to eventually provide for the material needs of a wife and children.” (31)
“Masculinity is largely a “homosocial” experience: performed for, and judged by, men.” (47)
“Ninety percent of all driving offenses, excluding parking violations, are committed by men, and 93 percent of road ragers are male.” (51)
“At adolescence, girls suppress ambition, boys inflate it.” (73)
“Interestingly, girls assume they’ll be wrong – they like subjects where their answers are “not necessarily wrong,” while boys assume they’ll be right, so they like subjects where there is no gray area. Girls like English because it’s harder to wrong; guys hate it because it’s harder to be right.” (75)
“In part it’s because the transitional moment itself is so ill-defined. We, as a culture, lack any coherent ritual that might demarcate the passage from childhood to adulthood for men or women.” (100)
“Guys in Guyland want girls to be their “near-equals.” If they don’t play at all, they threaten the legitimacy of Guyland; if they play the game better than the guys, the same threat holds true.” (103)
“In other words, drinking “dangerously” requires a significant amount of safety. You may not know everyone you’re partying with, but you know that the people you are with are very likely to know people you know. You don’t “lose control” without having a large set of “controls” already built into the system.” (104)
“In the case of the University of Colorado, the biggest liquor store, with the closest proximity to campus, was owned by the Director of Athletics.” (119)
“Every generation thinks they had it tougher than the one that comes after them.” (121)
“Sports talk has become the reconstituted clubhouse, the last “pure” all-male space in America.” (127)
“Guys also like following sports because it’s a way to talk with other guys without having to talk about your feelings.” (128)
“Women remind us that we are supposed to be grown men. Other guys allow us to be immature boys. No wonder guys get so easily pissed off at women’s intrusion.” (136)
“Video games outsell movies, books, CDs, and DVDs by a landslide.” (154)
“Guys play video games, gamble, or pose and posture to the musical stylings of inn-city black youth because these poses give them the feeling of being in control.” (156)
“When a guy says he “hooked up” with someone, he may or may not have had sex with her, but he is certainly hoping that his friends think he has. A woman, on the other hand, is more likely to hope they think she hasn’t.” (197)
“There’s an old expression in business circles that holds “men are unsexed by failure, but women are unsexed by success.” For men, success confirms masculinity; for women, success disconfirms femininity – it’s seen as more of a tradeoff. To be taken seriously as a competent individual means minimizing, or even avoiding altogether, the trappings of femininity.” (252)
“In fact, “effortless perfection” may be the closest thing there is today to a “Girl Code.” … The appearance of effortlessness is the way young women reconcile such conflicting demands. “I just happen to be beautiful and brilliant, I can’t help it. Don’t hold it against me.” Effortless also counters the feminine taboo against competition. It’s okay to win, but not okay to try to win.” (254)
“Women sustain Guyland because Guyland seems to be populated by Rhett Butlers, and they are much cooler than the Ashley Wilkeses of the college campus – the guys who study hard, are considerate of their feelings, and listen to them. Those guys are a bit nerdy, good friendship material, but they don’t take your breath away. Better to latch on to the ones who treat you badly, with the hope that your love – and only your love – will transform him into a doting and attentive man, while he retains all the sexy guy-ness that drew you to him in the first place.” (258)
“And they’re right: they did sacrifice. For many men, the demands of being a provider and family man are filled with pressure and insecurity, having to bend to the will of moronic supervisors, placate mercurial clients, and kowtow to demanding bosses. And all for a family that barely appreciates them!” (276)
As always, if you liked the quotes, please buy the book here.
1. You wrote a book “Don’t Wear Shorts On Stage” and have a blog by the same name. How helpful is having a blog as far as selling a book goes? Today I’m honored to interview John Vorhaus about his latest book, “How To Write Good” as well as some other topics. John Vorhaus is the author of the classic comedy writing textbook, The Comic Toolbox: How To Be Funny Even If You’re Not. Of all his novels, Lucy in the Sky is his favorite. When not writing novels and non-fiction, he travels the world, teaching and training writers – 29 countries on five continents at last count.
What are the biggest differences between your new book “How To Write Good” and older, “how to write” guides like Steven Pressfield’s The War of Art, etc?

Mine has many fewer words, some of them invented. Seriously, I’m not sure that the differences are as important as the similarities. A wise teacher once told me, “The ocean is blue and it’s also wet,” by which she meant that you can learn something from everyone, even if it’s on a topic you know very well. I would expect that people reading How to Write Good (HTWG) will find some of the concepts resonant of other writing books they’ve read. However, since writers, like all artists, constantly need to “keep revelation alive,” it’s useful to have a steady stream of blew, wet, salty, deep, turbulent, fish-filled, mysterious oceans.
This is your second ebook (also see The Little Book of the Sitcom), will you ever publish a physical book again?
Yes. The third Radar Hoverlander novel, The Texas Twist, is due out from Prospect Park Books in June, in both ebook and dead tree format. Also, like LBOS, HTWG is available in print format for those who desire it.
While your book felt targeted at how to write a novel, I could see the applicability for all other sorts of writing. Was this intentional?
Yes. It’s hard to write a book on writing that covers all possible writing ground. Having written extensively about TV and film scriptwriting, and being now a working novelist, I thought I would put the emphasis on short-form and long-form prose; however, I take pains to point out that the tools I offer can be used by writers of everything from limericks to philosophy tomes. Indeed, I would hope that creators in whole other genres (artists, musicians, filmmakers) could get something out of my whimsical approach to creativity.
You talk about focusing on the process and ignoring the payoffs as one way to avoid paralysis. In your early career, how long were you focused on process until you started to see some payoff?
I would say I still am. I mean, I got a payoff, of a sort, the first time I went onstage as a singer/songwriter at an open mic night. Well, I got praise and a few bucks in a tip jar. Is that a payoff? I wrote three or four sitcom spec scripts before I started drawing work from that field. I wrote two and a half novels before I sold one. But throughout – from that day to this – I focus solely on “the words on the page.” It’s the only part of the process I can truly control, and if I let my mind wander to the parts I can’t control, well, despair sets in and nothing gets done.
But the point I would make to, especially, young writers is, “You have no idea how much time you have and how much real work you’ll get done.” Life is long. Your body of work will sustain you.
What’s your next book going to be about?
The Texas Twist revisits world-class con artist Radar Hoverlander and his band of merry scamsters as the work some rich veins of available cash in Texas and the Midwest. Everything goes great until an űber-con artist gets them in his sights…
From our previous interview, you mentioned “I can afford to sell small amounts of many products” this reminds me of the 1,000 true fans rule. What are your thoughts on that? Do you think the number of true fans necessary to sustain a career differ significantly based on the specific career (book author vs stand up performer vs musician, etc)?
I have no idea how to comment intelligently on that question. My business model has always been, “Go off in all directions at once. You’re sure to arrive somewhere.” With that in mind, I really don’t think about 1,000 true fans or any other arbitrary number. I just keep writing and keep trying to make people aware of my work. The rest, I trust, will take care of itself. I consider myself a pretty good promoter, but I’m crap at analytics. I couldn’t tell you definitively how many copies of anything I’ve sold. I just don’t care. I want a large enough audience to sustain my efforts, but I have no idea how to grow that audience beyond “keep on keepin’ on.”
What’s the biggest difference in comedy writing between today and when you started? What’s the biggest difference in writing in general (doesn’t have to be comedy)?
Technology. When I was coming up, the tools for making my own comic videos or films were prohibitively expensive, and the tools for distributing them were nonexistent. Now, thanks to cheap video cameras and editing software, plus the internet, anyone who wants to create can create. It’s much easier these days to “throw it out the window and see if it lands.” At the same time, the explosion of creative output has driven the perceived value of content way down. With millions of writers (not just comic writers) willing to give their content away for free, it gets harder and harder to make the argument that content should be paid for, and paid for at a premium.
Another big difference for “writing in general” is how much easier it is to do research now. I’ve written novels about cities I’ve never lived in, or even visited, but feel that I’m conveying an authentic sense of space, just because I have so much access to information about places I’ve never been.
Anything else readers should know?
People who find their way into my body of work are surprised to discover how eclectic it is. I’ve written comic novels and serious ones; how-to books on writing and creativity; and more than two million words on poker. I would just invite your readers to brows my Amazon author page. They’re bound to find something they like. Oh, and blah-blah-blah twitter @TrueFactBarFact.
Also, I mentioned earlier that my business model is “go off in all directions at once.” Actually I have another one that I like better: “Walk down the beach, pick up everything you find, turn it into a party hat.” That’s kind of what I was getting at in HTWG: The most important part of the writing process is to have fun with it so you’ll be motivated to keep after it. This world of ours contains so many blessed party hats that there’s really no reason for anyone to exist in any state other than pure bliss. I hope that HTWG will help writers, especially new writers, discover how easy and fun it is to have an effective, growing, thriving, active practice of writing.
New York Comedy World strives to be a one stop show for everything in the New York Comedy scene…It is a site where you can purchase tickets to some of New York’s best Stand Up venues…We also sell tickets to New York’s best Improv, Sketch and One-Person shows…
There is a Comedian Resource section…This is a place where comics may be able to see choices in Comedy Schools, Seminars, Open Mics, New Talent Showcase & Industry Showcases…It also features Gigmomma, a new and innovative site that matches performers with people looking for talent…
It is also filled with additional content…You will find info on stand up comedy festivals, great podcasts, featured articles by great columnists about the comedy business. And some very funny videos…We hope you enjoy!